Showing posts with label Kenneth Branagh. Show all posts
Showing posts with label Kenneth Branagh. Show all posts

Tuesday, September 22, 2026

MAYDAY (2026)

 

Written & Directed By: John Francis Daley & Jonathan Goldstein 

Cinematography: Barry Peterson 

Editor: Jamie Gross and John Lee 

Cast: Ryan Reynolds, Kenneth Branagh, Marcin Dorocinski, Maria Bakalova, David Morse, Clark Johnson, Wendy Crewson, Josh Hamilton

Lieutenant Troy Brennan takes part in a top secret surveillance mission over Soviet airspace. Things take a sharp turn, however, when he is forced to eject from his plane over the Russian wilderness. He is rescued by a paradoxical Russian native and the two begin to appreciate both their differences and commonalities.


There are some movies you finish and immediately think, “Well… that was fine.” And honestly, that’s probably the best way to describe this one.

I went into it expecting something disposable, and while it certainly isn’t reinventing the action-comedy wheel, I have to admit that I had a decent time with it. 

because this is very much a paint-by-numbers kind of movie. You’ve seen this story before. You’ve seen these characters before. You can practically see some of the plot turns coming from the next room.

But every once in a while, it has just enough personality to keep itself from becoming completely forgettable.

Ryan Reynolds is interesting here because, thankfully, this isn’t quite the Ryan Reynolds we’ve seen a million times before. He still has that familiar rhythm and personality, but instead of firing off a wisecrack every thirty seconds, a lot of his humor comes through his reactions to the increasingly ridiculous situations around him. He almost becomes the audience surrogate. The guy looking at everything happening around him and thinking, “Are we seriously doing this?” surprisingly, that works.

Kenneth Branagh, meanwhile, is doing a lot of the heavy lifting literally. He’s getting into the action himself, which is something I’m not particularly accustomed to seeing from him. At this point in his career, watching Branagh throw himself around in an action movie is kind of charming. I don’t know if he’s channeling Sean Connery, taking notes from Liam Neeson, or simply having a really good time, but the man deserves some credit. He’s surprisingly convincing.

Branagh has directed action before, of course, with films like THOR and JACK RYAN: SHADOW RECRUIT. So this isn’t exactly unfamiliar territory for him. But seeing him actually inhabit this kind of older action-hero role is one of the more entertaining aspects of the movie.

The problem is that the rest of the film doesn’t exactly rise to their level.

It feels like the kind of movie that probably explains why it ended up on streaming rather than in theaters. There’s supposedly an epic quality to the story, much of it set against Cold War-era Russia, the KGB, and all the usual ingredients for a big, muscular action thriller. Yet somehow, everything feels surprisingly muted.

The movie is set in the 1980s, which at least gives it an excuse to use Russia and the KGB as its primary villains without having to invent some overly complicated modern conspiracy. But even with that built-in atmosphere, the film rarely feels as big as it seems to think it is.

And then there’s the strange feeling that Ryan Reynolds could almost be replaced by just about anybody. He’s not bad. He’s just… there.

Considering how naturally Reynolds fits into buddy comedies, you would think this would be tailor-made for him. But the movie never quite gives him enough material to bring his usual gravitas or comedic energy. Instead, he’s mostly along for the ride.

Oddly enough, the whole thing reminded me of BEHIND ENEMY LINES, except somebody decided to make this movie more of a buddy comedy and turn down the action just a little. maybe that’s why I didn’t hate it.

It’s familiar, but it’s not completely lifeless. It’s basic, but it occasionally has some spirit. It doesn’t offer much you haven’t seen before, but it at least tries to put a slightly different spin on a very familiar formula.

It’s perfectly watchable, occasionally fun, and elevated by a couple of performances that are more entertaining than the material itself. But once the credits roll, I’m not sure there’s much left to say other than, “Yep. That was a movie.”

Not bad. Not great. Just ok 

Grade: C

Tuesday, August 18, 2026

THE DEVIL WEARS PRADA 2 (2026)

 

Directed By:  David Frankel 

Written By: Aline Brosh McKenna

Based on characters created by: Lauren Weisberger

Cinematography: Florian Ballhaus 

Editor: Andrew Marcus 

Cast: Anne Hathaway, Meryl Streep, Stanley Gucci, Emily Blunt, Lucy Liu, Tracie Thoms, Justin Theroux, B.J. Novak, Simone Ashley, Kenneth Branagh, Tibor Feldman, Helen J. Chan, Caleb Hearon, Patrick Brammell, Rachel Bloom, 

Andy Sachs reunites with Miranda Priestly as they navigate their careers amid the decline of traditional magazine publishing.


This film from the get-go was a mix bag as I loved the book and I loved the first film and was partially looking forward to a sequel even though I partially believed it’s probably not going to be as good and then once I saw the trailer is that feeling became more and more apparent.

The film is not based on the book sequel REVENGE WEARS PRADA: THE DEVIL RETUENS 

So now that I have finally seen this film, I can honestly say it doesn’t hold a candle to the first film. It’s more like a nice try, but it’s not entirely all of the films fault as it’s nice to catch up with the characters and see what they’re doing the problem with this film is really how times have changed.

How when the first film came out, there were still magazines. It was still an industry, and the fashion industry still felt creative and of quality when it came to art photography, even though it’s all about sales in the end and showcasing they just seems to be a grand or presentation when it came to magazines and print, and at least there were articles and interviews that seem to make it more worthwhile whereas now everything is on the Internet, so kind of has a gloss to it, but it feels uninspired more shiny sort of like the materials at some clothes are made up how some of these days are more disposable then build to last and that is the fate of this magazine within a film and it feels like that is the state of this film. As well as where it almost feels like culture is going.

It’s very glossy, but it feels impersonal and very disposal. It’s not as much fun and ultimately becomes disappointing now maybe because the first film dealt with growth and learning from a young female character learning her way around the ropes and now we have this character more at middle age coming to terms with her life so that’s not as endearing to the audience, even if it is partially identified and though there are stakes, they don’t seem to be very high or dramatic. Again it’s almost like the Judd apatow movie. THIS IS 40 where we’re watching the trials and tribulations of the characters, but they are in such a verified error of the 1% and that it’s really hard to really feel anything or truly worry because you know they’ll land on their feet quite easily they just might not have the same high positions they wanted

While the film obviously has its moments it also never quite feels fun like the first filmed, especially as everybody just seems to be going through the motions. they might seem to be having fun to revisit these characters and come together, but they also still feel a bit on autopilot making them mainly bland, even though why they stood out in the first place was that they were colorful one can understand that for Anne Hathaway‘s character as she was growing up and morphing in the first film here she just feels very bland, but wisened.

Miranda Priestley as played by Meryl Streep is still an iconic character, but while she still continues to have her high maintenance, the film softens her and gives examples of how she has to handle herself in this more delicate culture. 

Luckily, the film isn’t all bad and it does try but again it just never feels quite inspired or creative as it could be just like how the offices in the first film felt a little more grand and permanent but by the time we get to the sequel, the offices feel small filled more with people that you’re not quite sure what they do in while being more modern it doesn’t quite feel built to last. It’s good enough for now, but no one will claim to miss it within a few years.

Happily, they never really lean into a romantic angle, even though they hint at it as it seems that all films with women over a certain age being single we must throw one a love interest, even if it kind of feels like it’s padding the movie down with filler and to give her some kind of life outside of the office

It never feels as grand as it should privileged sure but never as much as a spectacle. It has the same effect as when Glenn Close went from 101 DALMATIONS to 102 DALMATIONS  movies where it doesn’t have quite that same magic when it goes off the reservation and away from where it was based so much.

This is a sequel that never really needed to be made but for fans of the original, you’re going to want to see this film probably as completed, but don’t say you weren’t warned

Grade: C 

Friday, November 10, 2023

A HAUNTING IN VENICE (2023)

 


Directed By: Kenneth Branagh 

Written By: Michael Green 

Based on the Novel “Hallowe’en Story: By Agatha Christie 

Cinematography: Haris Zambarloukos 

Editor: Lucy Donaldson 


Cast: Kenneth Branagh, Tina Fey, Michelle Yeoh, Kelly Reilly, Jamie Dornan, Camille Cottin, Ali Khan, Jude Hill, Emma Laird, Kyle Allen, Riccardo Scarmarcio



In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer.




Saturday, August 20, 2022

DEATH ON THE NILE (2022)

 


Directed By: Kenneth Branagh Written By: Michael Green  Based upon the novel by: Agatha Christie  Cinematography: Haris Zamberloukos Editor: Una Ni Dhonghalie 

Cast: Kenneth Branagh, Gal Gadot, Annette Bening, Russell Brand, Armie Hammer, Letitia Wright, Emma Mackey, Tom Bateman, Sophie Okonedo, Rose Leslie, Dawn French, Jennifer Saunders, Adam Garcia, Michael Rouse, Alaa Safi 

While on vacation on the Nile, Hercule Poirot must investigate the murder of a young heiress.

Wednesday, November 4, 2020

CELEBRITY (1998)

 


Written & Directed by: Woody Allen  Cinematography: Sven Nykvist Editor: Susan E. Morse 


Cast: Kenneth Branagh, Winona Ryder, Famke Janssen, Leonardo DiCaprio, Gretchen Mol, Greg Mottola, Charlize Theron, Judy Davis, Douglas McGrath, Joe Mantegna, Andre Gregory, Sam Rockwell, Adrian Grenier, Michael Lerner, Melanie Griffith, J.K. Simmons, Famke Janssen, Becky Ann Baker, Issac Mizrahi, Anthony Mason, Kate Burton, Debra Messing, David Marguiles, Tony Sirico, Bebe Neuwirth, Patti D’Arbanville, Ingrid Rogers, Jeffrey Wright, Hank Azaria, Karen Duffy, Aida Turturro, Allison Janney, Donna Hanover, Celia Weston, Wood Harris, Donald Trump 

Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get his foot in the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and/or beautiful, partly through journalism, and partly because he has a script to offer. But life amongst those from out-of-this-world is hard, and his putative success always results in defeat. Meanwhile, Robin meets a very desirable television producer and takes the first steps in the world of celebrities.

Thursday, September 26, 2019

THOR (2011)



Directed By: Kenneth Branagh 
Written By: Ashley Edward Miller, Zack Stentz, & Don Payne 
Story By: J. Michael Strazynski & Mark Protosevich 
Based on the Comic Book By: Stan Lee, Larry Lieber & Jack Kirby 
Cinematography: Haris Zambarloukos 
Editor: Paul Pubell 

Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Anthony Hopkins, Rene Russo, Idris Elba, Kat Dennings, Stellan Skarsgard, Clark Gregg, Colm Feore, Ray Stevenson, Jaime Alexander, Adriana Barraza 

The reckless Thor, son of Odin, challenges his brother Loki's claim to the throne of Asgard. To teach him humility, Odin casts the young warrior down to Earth to live amongst humans. Robbed of his powers, Thor falls in love with scientist Jane Foster. While Loki usurps the throne of Asgard for evil gain and plans revenge, Thor's love for Jane and his lessons of humility turn him into the true hero and legendary and immortal warrior-defender of the people of the Earth, saving them from destruction.

Thursday, December 7, 2017

MURDER ON THE ORIENT EXPRESS (2017)



Directed By: Kenneth Branagh 
Written By: Michael Green 
Based on the Novel By: Agatha Christie 
Cinematography By: Haris Zambarlokus 
Editor: Mick Audsley 


Cast: Kenneth Branagh, Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Willem Dafoe, Daisy Ridley, Josh Gad, Judi Dench, Olivia Colman, Leslie Odom Jr, Derek Jacobi, Lucy Boynton, Adam Garcia 


Hercule Poirot, the best detective in the world decides to leave on the Orient Express. The train accidentally gets stopped because of the strong snow. Little did he know that a murder was planned and that a person on this train was able of commiting such crime. Will he solve this murder before the train starts working again?

Saturday, September 26, 2015

MY WEEK WITH MARILYN (2011)



Directed By: Simon Curtis 
Written By: Adrian Hodges 
Based On The Books “My Week With Marilyn” and “The Prince, The Showgirl And Me” 
By Colin Clark 
Cinematography By: Ben Smithard 
Editor: Adam Recht 

Cast: Michelle Williams, Kenneth Branagh, Julia Ormand, Judi Dench, Eddie Redmayne, Toby Jones, Emma Watson, Dominic Cooper, Derek Jacobi