THE INSTIGATORS (2024)

Directed By: Doug Liman 

Written By: Casey Affleck and Chuck Maclean

Cinematography: Henry Braham 

Editor: William Goldenberg, Saar Klein, Brett M. Reed and Tatiana S. Riegel 

Cast: Matt Damon, Casey Affleck, Hong Chau, Ron Perlman, Michael Stuhlbarg, Alfred Molina, Ving Rhames, Jack Harlow, Paul Walter Hauser, Toby Jones 

Rory and Cobby, who team up to rob a corrupt politician but end up in a chaotic escape after the heist goes wrong. Pursued by police and crime bosses, they enlist Rory’s therapist to help them survive.

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Considering the cast involved and the director, this film should’ve been much better.

While he plays like a perfectly good crime caper with a good helping of comedy. It also feels like it’s all over the place, especially totally as when it does try to be more action oriented or gritty crime incomes the more comedic elements out of nowhere and then when it’s resting on its more comedic elements, it’ll have the odd intense action sequence.

Also, with its full cast, it feels like most of them are guest starring in the main plot like this is an ongoing series as very few remain throughout the film and only seemed to be there for a senior or two before disappearing and are quickly forgot not that they’re bad in their roles but again there just doesn’t seem to be that much significance for them even though they are just a piece of the puzzle

So that our main stars Casey act like who also who wrote the film and Matt Damon just seemed to be too strangers thrown into this caver together that ends up being more of a buddy comedy as they are different types of thrown in together just trying to survive all of this. Representing their hometown 

Now this should’ve worked, especially as of course, representing its location of Boston and the characters in the neighborhoods of that town but the film just feels a little too quick paste. It never seems to quite slow down for you to get a grip on what is happening or what has happened. So it’s hard for you to get your bearings, even though it shouldn’t be that confusing.

It just seems to flash here in there in the editing, intense not to focus on anything so it even feels faster than the classic 2000s MTV flash editing which only reminds you that this feels more like content more than an actual film. Which might be the result of having four editors on this film, who each might have been aiming at something different. Asbeverything feels so disposable and familiar even when trying to put a new spin or at least anspin on certain conventions.

Again the leads and cast are likable enough. You just wish that this was a film that wasn’t afraid to take its time had more consequences and was quite a bit tougher as the film is more comedic and not darkly comedic more just comedic.

It has spectacle when the film should’ve been more detailed, smaller and tighter. Noah tries to be gritty. It comes across more as a Hollywood production. Then it should which throws all credibility out the window and turns it more into a romp.

there is a certain irony that lays throughout the film whereas Casey Affleck is a best actor Oscar winner here playing more the co-lead and being more comedic or as Matt Damon, who is more thought of as a serious actor is playing the more serious role here and while he has more prestige, he does not have an Oscar for best actor, even though he does have an Oscar for writing. Yet Casey Affleck who has the acting prestige is the Co-Writer here. 

This obviously isn’t there first pairing on screen they have paired up in various projects, but this is the first time where they’ve been costars as a lead in a more comedic, an original production of their own as they were in the film GERRY as costars, and also really, the only leads in that film, as well as one of the only actors in that film

The film has come across as the type of body crime caper comedy that felt more at home in the 70s and 80s try some modernize it, but it has way too much going on for it to truly ever be centered or quite understandable

Grade: C

ARGYLLE (2024)

Directed By: Matthew Vaughn 

Written By: Jason Fuchs 

Cinematography: George Richmond 

Editor: Lee Smith, Tom Harrison-Read and Col Goudie 

Cast: Bryce Dallas Howard, Sam Rockwell, John Cena, Henry Cavill, Catherine O’Hara, Bryan Cranston, Samuel L. Jackson, Sophia Boutella, Rob Delaney, Ariana Debose, Richard E. Grant, Dua Lipa 

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes that the plot of the new book she’s writing starts to mirror real-world events in real time.

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Watching this movie, one constantly is wondering is this supposed to be a parody, spoof or do they honestly expect us to think of it as an action-comedy. Unfortunately, by the end that question is never answered. It is obviously supposed to be based on spy novels and espionage stories. More the fanciful ones that take place in movies and fantasy. Rather than the Tom Clancy para-military and political type stories.

As The scary part is that if this film came out in the early 2000’s. it might have to be considered  of as stylish and be thought of as smart. This plays like more like THE AVENGERS (the classic British show) as there is a lot of spectacle. But not much sense to follow. Which is why one wonders what exactly is it trying to be or aiming for. Maybe as it comes across more comic book like and goofy than anything else. 

I would say this is a perfect Netflix movie, but it looks way better and doesn’t rely on so much green screen or a muted look. It’s actually colorful and you can see the budget onscreen. 

With all the dancing involved I believe this role was specifically written for Sam Rockwell. As that is something that he is known to with his characters on screen. Though the role he plays here feels familiar. As he played a similar role in the movie MR. RIGHT. As he can do action and seem like a more deranged comedic character.

The joke here is that he doesn’t seem like an action hero type. Just as lead Bryce Dallas Howard doesn’t usually come across that way. Not quite as the sexy seductress. Though by the end you beleive or at least are forced to. Though the film doesn’t embarrass them. 

as that seems to be one of the films aim, whereas in the fantasy, we see more of the type of actors we would expect to play these types of roles effortlessly, but in the reality we get more stunt, casting or miss casted actors who are the real life counterparts and the leads of this film so it seems a little bit more often comedic watching them do action sequences, and thriller situations

The film unfortunately gets more ridiculous as it goes along and more confusing. As it keeps building where the film doesn’t even necessarily know if it all makes sense. As the film is trying to keep topping itself with surprise, after surprise after surprise and then many twits, double and triple crosses. Although it seems to want to have a. ROMANCING THE STONE vibe. Done better in films such as THE LOST CITY 

it seems practically to be a reunion for director Matthew Vaughn and some cast members, like Samuel L. Jackson and Sophia Boutiella, but it still didn’t need to be this long. 

It’s also hard to take the film too seriously. When there are comedic actresses like Catherine O’Hara playing someone dangerous.

By the end Dua Lipa’s cameo is the only thing interesting, entertaining or dazzling in this film overall. Other than some nicely choreographed and lit action sequences. That deserve to be in a better movie. 

Even The ending makes no sense. As it is shocking this was not only supposed to be the first in a trilogy, but also supposed to be interconnected with the Kingsman franchise also directed by Matthew Vaughn. 

So while throughout the film looks gorgeous. It just feels kind of misdirected like someone who doesn’t know how to do comedy trying to make one but knows how to do. The action sequence is really well and it’s a shame I was really rooting for this film.

Grade: D+

KILLING MARY SUE (2025)

 

Written, Directed & Edited By: James Sunshine 

Cinematography: John Sawyer 

Cast: Sierra McCormick, Dermont Mulroney, Jake Busey, Sean Patrick Flannery, French Stewart, Martin Kove, Kym Whitley, Jason Mewes

A corrupt senator arranges for the murder of his biggest liability, his erratic burnout step-daughter, only for her to unwittingly discover her natural talent as an untouchable killer.

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This film is based on the term Mary Sue, coined by infamous canceled Screenwriter Max Landis the definition of the term is a type of female character who is depicted as Unrealistically  lacking in flaws or weaknesses 

So someone decided to write a whole film around this character that is supposed to be a dark and dirty action comedy that is rather vulgar and really has no characters to like or really root for that takes ridiculous big plot swings, even though using very limited locations 

this film ends up feeling more like a comedic riff on the Becky movies, which is Becky and wrath of Becky, which are about a teenage girl who is pretty much a psychotic sociopath and gets put in situations where she has to be the hero, taking down a gang of villains which she does quite easily as there is no real threat.

It’s the same here as she seeks her stepfather‘s love throughout, even though he’s the one who has set her up to be assassinated so that he can be reelected with the sympathy vote.

The character here obviously has daddy issues and it seems to be an addict of many things drugs, rough, sex, violence, sensationalism, and luckily, only part of this is shown throughout the film 

wow, this film should be fun and it’s ridiculous scenarios. It almost seems like a tax write off for character actors to make guest appearances or cameos and there’s not really that much meat to it and as much fun as the film wants us to have and as much as it wants us to laugh, it just feels grating.

like a comedian telling you a joke that they insist is funny and that they laugh at themselves, but you as an audience member you get the joke, but it’s just not that funny as much as I think it is and that’s what it’s like watching this film, this should be somewhat of a low budget guilty pleasure 

but watching it, you just can’t wait for it to end as it seems pretty predictable even when it thinks it’s offering surprises and even when it tries to be more outlandish, it sounds ridiculous and stupid that you are already not taking this from seriously but it just makes the film seem all the more not worth it

Which is a shame as they do have material here that could’ve been used to make something at least a little more entertaining and creative in the end. This just comes off as a waste of time even as the back movies aren’t that great at least the first one is somewhat entertaining. This feels like an unofficial, comedic, spoof or sequel

feels like one should have known as it’s rare that when French Stewart is NFL that it will actually be good or enjoyable as even in Bob Trevino likes it he comes across as the weak link. Though LOVE STINKS was somewhat enjoyable but for all the wrong reasons.

This is a film that tries to be hip, cool and in on the joke and it just ends up being corny and tired.

It’s also a female oriented movie that you can tell was written by men with no subtlety. 

Grade: F 

THE RIP (2026)

Written & Directed By: Joe Carnahan 

Story By: Michael McGrale 

Cinematography: Juan Miguel Azpiroz 

Editor: Kevin Hale

Cast: Matt Damon, Ben Affleck, Steven Yuen, Kyle Chandler, Catalina Sandino Moreno, Teyana Taylor, Sasha Calle, Scott Adkins, Nestor Carbonell, Lina Esco 

A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the huge seizure, making them question who to rely on.

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This Is a film one wouldn’t have mind seeing in a theater as to me. It’s that exciting visual and good, too good to just be relegated to streaming.

As it has Matt Damon and Ben Affleck back together again, though for once more in a action thriller than necessarily drama or comedy in which you usually see them costarring together in now while they didn’t write or direct this, they’re strictly in this and acting capacity their natural chemistry is still there

The film takes place in Miami of all places which I have never seen filmed darker as usually it’s filmed a lot more colorful and vibrant here. It just seems so cold that it might as well have been set in Boston.

While playing like a thriller in somewhat of a mystery, it’s pretty easy to figure out but appreciate that the film still try to make you question every character and their motives and giving reasons why there is plenty of gun play and Mano y Mano type attitudes and energy throughout

Which they really show in the third act by having most of the female character, sit out the action while all the men or the big names on the poster, do it out and share the reveals as well as a few chase scenes.

The film is entertaining in directed and written by Joe Carnahan. I’m not surprised as he has always been a solid Director, who specializes in gritty action films here he does what he does best. As the film stays exciting and entertaining throughout, even though it has very few locations in the film. Makes the best of it and still makes it feel like it in its own world, but identifiable in dark

They don’t make films like this much anymore and it’s nice to see something a little more hard hitting a film that can be itself and doesn’t necessarily care too much about being politically correct. As well as a cast that can do these roles in their sleep, but while it might be casting for some of the cast, it’s about face for others and it allows them to show their range and it’s quite a good look. Is a film made for an adult audience in the action crime junkies will love.

No, of course, Matt, Damon, and Ben Affleck are the leads and get the best scenes dialogue in action, but the supporting cast does as well as as they can with what they are handed and truly do stand out.

The only problem I could foresee with this film is, if there was ever a sequel that mystery element that worked here won’t work out so well in the next film, but you could see ongoing films with this crew and their adventures and what they have to go through, but it’s fine also as just a standalone film

Grade: B- 

CODE 3 (2025)

Directed By: Christopher Leone

Written By: Christopher Leone and Patrick Pianezza

Cinematography: Mark Williams 

Editor: Jay Friedkin

Cast: Rainn Wilson, Lil Rel Howery, Aimee Carrero, Yvette Nicole Brown, Rob Riggle, Page Kennedy, Xolo Mariduena, Andy Milder, Eric Jungmann

Follows a paramedic that is so burnt-out by the job that he is forcing himself to resign, however, he first must embark on one last 24-hour shift to train his replacement.

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It’s a premise that sounds simple, but it slowly reveals more weight than you might expect.

This film arrived quietly, with little fanfare, but it ends up being one of those low-key discoveries you’re genuinely glad you stumbled upon.

In some ways, this feels like a gentler, less nightmarish cousin to BRINGING OUT THE DEAD. Our lead has been in this life so long that chaos is second nature, even as it’s clearly hollowing him out. He frequently breaks the fourth wall, letting us in on his internal monologue and dropping bits of EMT trivia that feel funny, sad, and revealing all at once.

Most of the film lives inside that single shift. riding along with his partner and trainee as they move from call to call. We see the patients, the downtime, the doctors, the red tape, the absurdity, and the quiet exhaustion that comes with a job where the world’s worst moments are just another stop on the route.

Just when the film seems like it’s going to stay light, it takes a darker turn, then eases back again. That tonal push and pull feels intentional, mirroring how life works when you think you’ve hit your breaking point, only to realize you still have to keep going. And somehow, the film finds room for hope without forcing it.

It’s not a gory movie, but it can hit hard. Rainn Wilson is excellent in the lead, fully proving his range as a character actor. Lil Rel Howery gets to stretch into more dramatic territory while still landing the humor. You could call this a buddy comedy, but the partnership is already fully formed when the movie begins, and the film is more interested in the cracks and complexities than the setup.

There’s also a strong streak of Kafkaesque frustration running through the story, systems that don’t make sense, problems that pile up, and no easy way out. Yet despite all that, this is a surprisingly emotional and good-hearted film.

As dark as it wants to be, it can’t help but let some light in. It’s a bit of a pick-me-up, even if you have to wade through some mud to earn it. It may not seem special at first glance, but if you stay with it, the charm reveals itself.

Grade: B