Showing posts with label James Cagney. Show all posts
Showing posts with label James Cagney. Show all posts

Friday, December 12, 2025

LADY KILLER (1933)

 



Directed By: Roy Del Ruth

Written By: Ben Markson and Lilie Hayward

Based on the story “The Finger Man” By: Rosalind Keating Shaffer 

Cinematography: Tony Gaudio

Editor: George Amy 


Cast: James Cagney, Mae Clarke, Margaret Lindsay, Leslie Fenton, Douglas Dumbrille, Russell Hopton, Raymond Hatton, Henry O’Neill 


When a movie theater usher is fired, he takes up with criminals and finds himself quite adept at various illegal activities. Eventually though, the police catch up with him, and he runs to hide out in Los Angeles. There he stumbles into the movie business and soon rises to stardom. He has gone straight, but his newfound success arouses the interest of his old criminal associates, who are not above blackmail.

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The films of James Cagney’s work that I see, he is swiftly becoming one of my favorite actors of all time.


As he has a screen presence personality, and tons of range and while this film, is it quite one of his memorable ones.  it’s still an interesting entry in his résumé and one can see why he starred in it.


The film is pre-code Hollywood where anything goes. 

As the first half definitely works and it’s fun, funny and seems to move quite long at a quick pace that stays charming. Though once the second half of the film starts where he has to relocate and go to Hollywood and we see him work his way up the ladder. In various roles for the studio.


Where this part of the film is where the romance starts, it also allows us to see him in various costumes and roles that come off more comedic, and are truly a time capsule of old Hollywood for those fanatics which shows how they would dress up extras as Native Americans and westerns and the special effects that they would use


It also allows us for a good part of the film to see James Cagney with a hideous thin mustache. Now once his life has seemed to have settled his old cronies and business partners from his passing to hunt him down and find him and while this should be thrilling this is actually What brings the film down as it’s not as fun or inventive as the rest of the film and really makes the film dragged towards the end and this film is under 90 minutes already


One quality that is notable is the viciousness in which he treats one of his old female compatriots and seemingly ex lover when he throws her out he’s just so outrageously violent towards her that it almost feels comical, which seems to be what the film is going for but watching it it feels over-the-top and cruel, no matter what happened in their past. I’m talking Tyler Perry melodramatic over the top.


The film is a crime keeper comedy and does whisk along rather quick, but truly James Cagney is the only reason to watch this film. He is the star and truly is one in this film. While the rest of the cast is good enough but not all that memorable 

James Cagney said in interviews it’s not one of his finest. In fact, I had never heard of it until it came up on a streaming service and decided to give it a chance.


So for this one I say watch at your own risk, but if you’re a James Cagney fan, I think it’s enjoyable


GRADE: C 

Thursday, December 11, 2025

SMART MONEY (1931)

 


Directed By: Albert Green

Written By: Kubec Glasmon, John Bright, Lucien Hubbard and Joseph Jackson 

Cinematography: Robert Kwirle

Editor: Jack Killifer 


Cast: Edward G. Robinson, James Cagney, Evalyn Knapp, Ralf Harolde, Noel Francis, Margaret Livingston, Maurice Black, Billy House 



Nick Venizelos, an immigrant Greek barber, has an uncommon affinity for poker and other sorts of wagering and a group of his friends bankroll him in a big game, where his weakness for pretty blondes is taken advantage of by sleazy operator Sleepy Sam who cleans him out in a rigged game. Nick accepts help from his buddy Jack as they turn the tables on the grifters, but triumph soon changes to tragedy.


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Recently have been watching many 1930’s films. Which is where one came across this one.


Though Watched this with extra enthusiasm because it starred two of my favorite classic actors On the big screen together  for one of the few times In Their careers. James Cagney and Edward G. Robinson. Though Cagney has the smaller supporting role. 


They both seem to have their big screen personas and attitudes but not as graphically or as much here yet 


Thought the film would be more of a comedy and not quite so serious.


This film made me really feel something, especially for the main character. He stayed identifiable throughout


The film is defitnely older and of it’s time period as it’s treatment of women and black characters are definitely old fashioned and in bad taste. As it is a pre-code film that is a representation of its times and politics.


 The film might not be the best considering the talent involved. Though it does tell its story swiftly and engagingly as it gets to the point.


Grade: B- 

Saturday, June 8, 2024

JEFF OF THE CINEFILES & UNFINISHED BUSINESS: HALL OF FAME - FILE #0073: THE STRAWBERRY BLONDE (1941)

 


Directed By: Raoul Walsh 

Written By: Julius J. Epstein & Philip G. Epstein

Based on the play by: James Hagan 

Cinematography: James Wong Howe

Editor: William Holmes 


Cast: James Cagney, Olivia De Havilland, Rita Hayworth, Alan Hale, Jack Larson, George Tobias, Una O’Connor, George Reeves, Lucile Fairbanks, Edward McNamara, Helen Lynd 


Biff Grimes is crazy about Virginia Brush, but his "pal" Hugo Barnstead marries her himself and makes Biff the fall guy for his shady dealings. Though Hugo seems to have everything Biff wants, Biff learns that having what one wants and wanting what one has can be two very different things.


Friday, June 7, 2024

ONE, TWO, THREE (1961)

 


Directed By: Billy Wilder

Written By: Billy Wilder & I.A.L. Diamond 

Based on the play “Egy, Ketto, Harom” By: Ferenc Molnar 

Cinematography: Daniel L. Fapp

Editor: Daniel Mendell 


Cast: James Cagney, Horst Buchholz, Pamela Tiffin, Arlene Francis, Lilo Pulver, Howard St. John, Hanns Lothar, Leon Askin, Ralf Wolter, Karl Lieffen 


C.R. "Mac" MacNamara is a high-ranking executive in the Coca-Cola company, assigned to the corporate office located in West Berlin. Mac's dreams are to climb the corporate ladder in the company to eventually become the head of Western European Coca-Cola Operations. One day, Mac receives a call from his boss, W.P. Hazeltine, to look after his 17-year-old socialite daughter, who is coming to West Berlin, while he is on a trip. Soon enough, Mac finds himself in the undesirable circumstances of trying to take care of this young whirlwind and manage all of the problems she causes.