Showing posts with label Vittorio Storaro. Show all posts
Showing posts with label Vittorio Storaro. Show all posts

Saturday, July 19, 2025

ONE FROM THE HEART (1981)

 


Directed By: Francis Ford Coopola

Written By: Francis Ford Coopola,

Armyan Bernstein and Luana Anders 

Story By: Armyan Bernstein

Cinematography: Vittorio Storaro and Ronald V. Garcia

Editor: Rudi Fehr, Anne Goursaud and Randy

Roberts


Cast: Frederic Forest, Teri Garr, Raul Julia, Natassja Kinski, Harry Dean Stanton, Lanie Kazan, Allen Garfield, Rebecca DeMornay, Jeff Hamlin



Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Frannie leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colors. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola's Broadway-like romantic musical.

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watching this infamous film Which has quite a bit of history, now while one  didn’t love it respect and admire it. Also, ended up as great medicine for the soul. Francis Ford Coppola tried, and this is a piece of art. It’s inspiring, Beautiful though it’s too technical and limited in it’s passion still worth watching


One has to give him More Admiration as he does have a gift with musical or dance sequences, and no one swings for the rafters better


This film is experimental nature makes it a beautiful site to behold. That feels exciting and magical. Especially for the time that it was made when it seemed if you had enough clout anything was possible, and as a notary Director, you could take a big swing for the rafters and hope they paid off


I still think that Francis Ford Coppola should be noted for THE COTTON CLUB And this film is making musicals in the 1980s that had flare and had that all time spirit to them that made it feel like the films had soul. Supposedly even His film

TUCKER, A MAN AND HIS DREAMS Was supposed to be a musical at some point.


Go for everything that the film Has going, for it ends up a disappointment to a certain extent, but a beautiful attempt that feels like a time capsule almost. 


As even the music by Tom Waits, who, normally, I love most of his music, one can say this is not one of my favorite albums or music by him even though I can relate to the spirit of it, and it is listenable as it feels like sad, harmonious, ballads, and duets about love.


One of the weaknesses of the films that you don’t really care about the story Or the characters as there’s not really that much to either of them, as they always feel more like concepts than three dimensional characters, so that everything feels artificial as the sets that it takes place on, which are amazing to look at and beautifully built, but unfortunately again, artificial, which was it’s aim. As it always feels like a presentation a lark that feels like theater, which was supposed to be so it did succeed but achieved what It was supposed to in the end. That was simple as it was it seemed like most audiences just didn’t get it or we’re not that interested


Unfortunately, it wasn’t successful and was the last bomb that sunk Francis Ford Coppola zoetrope studios


The film plays more tour, earlier era where you went to films more be entertained, and hoped that some of the story or characters would be identifiable to the audience. If not, personally, they knew of the subject as this plays more as entertainment, and then something that feels deeply personal and thought out or even passion filled.


By the end one can’t help, but feel sorry for Natasha Kinski‘s character as she took a risk on this fling as it’s her first real taste of freedom she can even take not being the first in his heart, but as long as she has him feels like that’s good enough for her in the end she knew that he wouldn’t really be able to tear himself away and though she leaves she has nowhere really to go back to happily


The film is in Everyman Love story that feels vague. It’s a musical with some dance sequences, but the songs are sung Morris, voiceover and narration by Tom Waits and Crystal Gale. So the actors never really sang. They more perform. It’s also the rare film, where Noted character actor, Frederic Forest actually got to play the lead


In the end, it feels like a nice try No, you never feel anything other than a driving force and artistry being thrown at you


Grade: C+

Thursday, November 3, 2022

ISHTAR (1987)

 


Written & Directed By: Elaine May Cinematography: Vittorio Storaro Editor: Richard P. Girincione, Stephen A. Rotter & William Reynolds 

Cast: Warren Beatty, Dustin Hoffman, Isabelle Adjani, Charles Grodin, Jack Weston, Tess Harper, Carol Kane, David Marguiles, Aharon Ipale, Herb Gardner, Fred Melamed, Matt Frewer, Alex Hyde White 

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the C.I.A., the Emir of Ishtar, and the rebels trying to overthrow his regime.

Saturday, May 26, 2018

WONDER WHEEL (2017)



Written & Directed By: Woody Allen 
Cinematography By: Vittorio Storaro 
Editor: Alisa Lepselte 


Cast: Kate Winslet, Justin Timberlake, Jim Belushi, Juno Temple, Tony Sirico, Steven R. Schirripa, Max Casella, Debi Mazar, Tom Guiry, Bobby Slayton, Maddie Corman, David Krumholtz 


In the hustle and bustle of 1950s Coney Island, where the buzzing crowd comes and goes trudging slowly over the wooden boardwalks, silent stories of the everyday toilers who give life to the attraction unfold. Somewhere in a clam bar, there's the sad waitress Ginny, a one-time actress and now a suffering wife who's been given a second chance by the side of the well-intentioned but uncouth carousel operator, Humpty. On the other hand, there's Humpty's 26-year-old estranged daughter, Carolina, who left the familial nest and a preordained future seeking adventure as a mobster's wife; only to return home with her wings broken, begging for forgiveness. And from the lifeguard's high tower, where all is in plain sight, the young and charming lifesaver and hopeful playwright, Mickey, is the inadvertent but potent catalyst that binds everything together. Shattered dreams, reckless love and betrayal, all under the bright lights of Coney Island.

Wednesday, February 22, 2017

CAFE SOCIETY (2016)



Written & Directed By: Woody Allen 
Cinematography By: Vittorio Storaro 
Editor: Alisa Lepselter 


Cast: Jesse Eisenberg, Kristen Stewart, Steve Carrell, Blake Lively, Corey Stoll, Parker Posey, Anna Camp, Richard Portnow, Paul Schneider, Jeannie Berlin, Sheryl Lee, Saul Stein, Tony Sirico, Don Stark, Elissa Piszel 


In 1930's Hollywood, the powerful agent, Phil Stern, is attending a party and receives a phone call from his sister living in New York. She asks for a job to her son and Phil's nephew, Bobby, who decided to move to Hollywood. Three weeks later Phil schedules a meeting with Bobby and decides to help him. He asks his secretary Veronica "Vonnie" to hang around with Bobby, showing him the touristic places. Bobby immediately falls in love with Vonnie, but she tells that she has a boyfriend, a journalist that travels most of the time. However, Vonnie's boyfriend is indeed a married man that is also in love with her and soon she has to make a choice between her two loves.

Saturday, January 11, 2014

DICK TRACY (1990)



Directed By: Warren Beatty 
Written By: Jack Epps Jr. & Jim Cash 
Based on Characters created by: Chester Gould 
Cinematography By: Vittorio Storaro 
Editor: Richard Marks 
Music By: Danny Elfman 
Production Design: Richard Sylbert 


 Cast: Warren Beatty, Charlie Korsmo, Madonna, Gleanne Headly, Al Pacino, Dustin Hoffman, William Forsythe, Dick Van Dyke, James Caan, Kathy Bates, Estelle Parsons, Michael J. Pollard, Seymour Cassel, James Keane, Charles Durning, Allen Garfield, Charles Fleischer, Mandy Patinkin, Paul Sorovino, Catherine O’Hara, Colm Meaney, Henry Silva, Mary Wornov