Directed By: Christopher Leone
Written By: Christopher Leone and Patrick Pianezza
Cinematography: Mark Williams
Editor: Jay Friedkin
Cast: Rainn Wilson, Lil Rel Howery, Aimee Carrero, Yvette Nicole Brown, Rob Riggle, Page Kennedy, Xolo Mariduena, Andy Milder, Eric Jungmann
Follows a paramedic that is so burnt-out by the job that he is forcing himself to resign, however, he first must embark on one last 24-hour shift to train his replacement.
It’s a premise that sounds simple, but it slowly reveals more weight than you might expect.
This film arrived quietly, with little fanfare, but it ends up being one of those low-key discoveries you’re genuinely glad you stumbled upon.
In some ways, this feels like a gentler, less nightmarish cousin to BRINGING OUT THE DEAD. Our lead has been in this life so long that chaos is second nature, even as it’s clearly hollowing him out. He frequently breaks the fourth wall, letting us in on his internal monologue and dropping bits of EMT trivia that feel funny, sad, and revealing all at once.
Most of the film lives inside that single shift. riding along with his partner and trainee as they move from call to call. We see the patients, the downtime, the doctors, the red tape, the absurdity, and the quiet exhaustion that comes with a job where the world’s worst moments are just another stop on the route.
Just when the film seems like it’s going to stay light, it takes a darker turn, then eases back again. That tonal push and pull feels intentional, mirroring how life works when you think you’ve hit your breaking point, only to realize you still have to keep going. And somehow, the film finds room for hope without forcing it.
It’s not a gory movie, but it can hit hard. Rainn Wilson is excellent in the lead, fully proving his range as a character actor. Lil Rel Howery gets to stretch into more dramatic territory while still landing the humor. You could call this a buddy comedy, but the partnership is already fully formed when the movie begins, and the film is more interested in the cracks and complexities than the setup.
There’s also a strong streak of Kafkaesque frustration running through the story, systems that don’t make sense, problems that pile up, and no easy way out. Yet despite all that, this is a surprisingly emotional and good-hearted film.
As dark as it wants to be, it can’t help but let some light in. It’s a bit of a pick-me-up, even if you have to wade through some mud to earn it. It may not seem special at first glance, but if you stay with it, the charm reveals itself.
Grade: B
