Saturday, March 30, 2024

101 REYKJAVIK (2000)

 


Directed by: Baltasar Kormakur 

Written by: Baltasar Kormakur and Hallgrimur Helgason 

Based on the Novel By: Hallgrimur Helgason 

Cinematography: Peter Steuger 

Editor: Skul E. Eriksen and Sigvaldi J. Karason 


Cast: Victoria Abril, Hilmir Snaer Guonason, Hanna Maria Karlsdottir, Baltasar Kormakur, Pruour Vihjalmsdottir, Olafur Dari Olafsson, Prostur Leo Gunnarsson, Eyvindur Erlandsson, Halladora Bjorn Sdottir 


Will the 30-year-old, Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.



Before going off to make more action-oriented Hollywood films. Director Balatasar Kormakur (2 GUNS, BEAST, EVEREST, CONTRABAND) came through with this very visual erotic coming-of-age story of late maturity and being in a love triangle with your mother.  


I would like to say this film can be easily categorized, but this film is one you can never quite take too seriously. So that one minute It’s a romance then it seems like an aimless character study. Then it seems like a woe-is-me for a character we can never quite feel sorry for. So if anything we can say this film is a quirky comedy. 


There isn’t much substance to the material. A kind of love and lust triangle between a son, mother, and lodger. So that it ultimately becomes a film about relationships or connections.


A lodger is a free sprint and flamenco teacher played by Victoria Abril. Whose performance full of life, charisma, vitality, grace, and spirit is what saves the film.  Not to mention her obvious beauty. She truly saves the film and is the only reason to watch it. It’s what got me to watch. As when she isn’t in the film it drags. You wonder was the character written around her or was she cast perfectly and it worked out? 


Only wish she was in a better film that matched her talents and made her just her own thing to admire and love about the film. Rather than the only thing.


The main character is an unlikeable selfish jerk, but he is our guide. So when he gets his comeuppance. We aren’t as upset as it is expected.  The film tries to come off as a foreign Woody Allen-inspired film. Only less artistic and more aimless. 


His mother finally found a relationship and forced him to grow up. The downfall of his responsibility. Though originally seemed like it might focus on a lesbian relationship. It ultimately adheres to the male gaze and sexual fantasies and actions of straight sex.


The film is pretty open-minded for its time and has a liberal openness as it offers no judgments on anyone. It ultimately becomes about a young man learning to grow and become responsible. Learn how to truly have an adult relationship. So in certain moments is a relationship comedy. 


Which leads to the increasingly complicated situations he finds himself in. That proves to be his downfall and maybe his saving grace.


The film is a time waster and has some good ideas and tries to twist it so that instead of playing the victim the main character is almost a villain at times, but learns to grow up somewhat. Though none of it Is compelling enough to keep a major interest. 


Grade: C 

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