Showing posts with label Jemaine Clement. Show all posts
Showing posts with label Jemaine Clement. Show all posts

Tuesday, October 7, 2025

MEGAN 2.0 (2025)

 


Written & Directed By: Gerard Johnstone 

Story By: Gerard Johnstone And Akela Cooper

Based in characters created by: Akela Copper and James Wan

Cinematography: Toby Oliver 

Editor: Jeff McEvoy 


Cast: Alison Williams, Violet McGraw, Brian Jordan Alvarez, Jen Van Epps, Ivana Sakhno, Aristotle Athari, Jemaine Clement, Timm Sharp 


Two years after M3GAN's rampage, her creator, Gemma, resorts to resurrecting her infamous creation in order to take down Amelia, the military-grade weapon who was built by a defense contractor who stole M3GAN's underlying tech.

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The first film was more of a campy guilty pleasure so I have no idea why they decided to make this film more of a sci-fi action movie. The least they could’ve done was if it was going to be action make the death or kill scenes maybe be a bit more horrific and violent. 


Watching this film, it’s a pale comparison as they do hear what most equals do it’s bigger. You can definitely tell that there was more money spent that has more of an epic vision but even the camping seems preplanned rather than just coming out of nowhere even worse they don’t even have Megan do her dance. It plays during the credits, but you can tell it’s not like she develops a new dance or even come up with a reason for it.


One of the first things you notice watching the film is Is there enough foreshadowing here? (said ironically) then One can't decide if this movie is too long as it feels like an epic or if it's Long enough, you just feel the length. Because it doesn’t fill it effecintely enough.


The film plays the middle field where it feels like an R Rated film but seems to stay in the vicinity of PG-13.


The film stays very convaluted where you wonder sometimes where is this going and does it have to be this complicated, but then again when the threat goes from more personal and domestic to almost worldwide. It can’t be too simple. While the film’s tries to offer the audience more comedy and thrills mixed together then the original. That is what the film’s weakness seems to be. In that it tries fan service and abandons its roots. Rather then staying true to itself and building to bigger badder type of thriller with a higher body count of characters you care about.


Just as it seems the returning supporting characters one gets more sceeen time while the other gets around the same as the first one and whose fate ends up questionable by the end of the movie. As it never makes clear or brings back the character. Making them ultimately disposable. It feels like the film isnsay oman you should be thankful to be here. 


One of the reasons why it might not be as strong. Is that the original screenwriter didn’t write this film. Akela cooper helped with the story but left the major scripting to the franchise’s director. Who didn’t write the first film? 


I was going to do a video about why Megan 2.0 bombed but producer Jason, Bloom of Bloom house pretty much hit the nail right on the head when he said no this isn’t a quote but pretty much the information was they put too much faith into the character and the characters following so that they thought they could do anything they wanted to do with the character and the audience would follow up And it ended up being a case of putting too much on the shoulders of the this little film


Which was originally just a surprise and understandable why they would wanna make a sequel but one of the points I was going to make you wanna put it in the summer when it was a hit in January which usually means there was nothing better out and this was the best that was around And did was hit a power hit like it did, but I think that was because it came out of nowhere and it surprisingly campy and fun for what was supposed to be a horror film


Even though it was more lightweight but requirements of fitting even when I watched it and I liked it, I thought it was lightweight. It could’ve been. I don’t know if it took off, particularly with younger audiences to for that PG-13 rating to really make a difference, but the unrated version which is basically added blood in a little bit more violence Seem to be release the audience


Now the film was successful and had a following yet it seems like they made it into more of an action comedy. The film is a little bit more in the still keeping that camp looking like a blatant copy of terminator too and it way. 


The magic of the original was that this campiness came out of nowhere and what was supposed to be atmosphere at that and for people who didn’t regularly go see her it was perfect because it was her almost like a Mocktail has no liquor, but the delicious taste of cocktail. They’re having fun with necessarily being on all the time, especially if it didn’t start so that was another factor of why the film bombed. 


Also it proves that MEGAN, the movie was more of like a phenomenon. It wasn’t necessarily a cult and it wasn’t popular enough or that the following people were demanding I’m wondering how this does for the Megan spin off they had planned or if that’s been canceled. 


Also didn’t know that This movie was coming out in the summer. where it’s going up against heavy hitters and the trailer didn’t make anybody wanna run to the theater so this is where the day and date or a movie and it being available pretty much like 4 to 6 weeks later actually hurts films like these because even if you are a fan of the first film and maybe had interest in seeing the sequel just wait and watch it on demand streaming as that is the quality and that this film looks like it’s not something you wanna rush out to go see it for movies and theaters like a movie you could wait for. I’m happy I saw on the big screen if I had a theater I definitely could’ve waited for just entertained 


The first one was a fluke that it was a hit in the first place and I can understand it got a small crowd behind it a fascination, so that you knew the sequel would eventually come out, but the man came out and then switching genres even Jason Blum agreed now was a bad idea.


If they were going to do that make sure you had a strong audience that would follow the franchise and characters wherever it went. As obviously the following wasn’t that strong and it even came out at the right time as far as how many years had passed but the wrong season. 


Which pretty much explains it all. 


Grade: C- 

Wednesday, November 4, 2020

DINNER FOR SCHMUCKS (2010)




Directed By: Jay Roach

Written by: David Guion & Michael Handelman

Based on the original screenplay “Le Diner De Cons” by: Francis Veber 

Cinematography: Jim Debault 

Editor: Alan Baumgarten & Jon Poll


Cast: Paul Rudd, Steve Carell, Zach Galifinakis, Jemaine Clement, Bruce Greenwood, Larry Wilmore, Andrea Savage, Lucy Punch, David Williams, Stephane Szostak, Ron Livingston, Kristen Schawlow, Nick Kroll, Randall Park, Chris O’Dowd, Jeff Dunham, Octavia Spencer, Rick Overton 

When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.

Friday, December 28, 2018

AN EVENING WITH BEVERLY LUFF LINN (2018)



Directed By: Jim Hosking 
Written By: Jim Hosking & David Wike 
Cinematography By: Nanu Segal 
Editor: Mark Burnett & Nick Emerson 


Cast: Aubrey Plaza, Jemaine Clement, Craig Robinson, Maria Bamford, Emile Hirsch, Matt Berry, Jacob Wysocki 


Lulu Danger's unsatisfying marriage takes a turn for the worse when a mysterious man from her past comes to town to perform an event called "An Evening With Beverly Luff Linn; For One Magical Night Only."

Friday, May 4, 2018

EAGLE VS. SHARK (2007)



Written & Directed By: Takia Waititi 
Story By: Loren Horsley 
Cinematography By: Adam Clark 
Editor: Jonno Woodford-Robinson 


Cast: Jemaine Clement, Loren Horsley, Joel Tobeck, Brian Sergent, Takia Waititi 

In Wellington, Lily is a wallflower, inexplicably attracted to Jerrod, a loser. He's nursing a decade-long grudge against someone who teased him in high school; she's just out of a job. She goes home with him to a seacoast town where he intends to have it out with his nemesis; she meets his father, his daughter from a one-night stand, and other family members - and there's the memory of his talented (and dead) brother. Jerrod treats Lily badly, invents a relationship with a women he had a crush on years before, and gears up for his fight. Will she finally have enough and go home?

Saturday, January 30, 2016

GENTELMEN BRONCOS (2009)


Directed By: Jared Hess 
Written By: Jared Hess & Jerusha Hess 
Cinematography By: Munn Powell 
Editor: Yuka Ruell 

Cast: Michael Angarano , Jemaine Clement, Sam Rockwell, Jennifer Coolidge, Josh Pais, Mike White, Halley Feiffer, Hector Jiminez, Clive Revill, John Pleshette

Saturday, January 9, 2016

DON VERDEAN (2015)




Directed By: Jared Hess 
Written By: Jared Hess & Jerusha Hess 
 Cinematography By: Mattias Troelstrup 
Editor: Tanner Christensen 


Cast: Sam Rockwell, Jemaine Clement, Amy Ryan, Will Forte, Danny McBride, Leslie Bibb, Steve Park

Thursday, April 9, 2015

WHAT WE DO IN THE SHADOWS (2015)


Written & Directed By: Taika Waititi & Jemaine Clement 
Cinematography By: Richard Bluck & D.J. Stipsen 
Editor: Tom Eagles, Yana Gorskaya & Jonathan Woodford-Robinson 


Cast: Taika Waititi, Jonatham Brugh, Jemaine Clement, Rhys Darby, Cori Gonzalez-Maucer, Stuart Rutherford, Ben Fransham, Jackie Van Beek

Tuesday, March 13, 2012

DINNER FOR SCHMUCKS (2010)


Directed By: Jay Roach
Written By: David Guion & Michael Handelman
Based on the original film “Le Diner De Cons” “The Dinner Game” By: Francis Verber
Cinematography By: Jim Denault
Editor: Jon Poll & Alan Baumgarten

CAST: Steve Carrell, Zach Galafanackis, Paul Rudd, Jemaine Clement, Stephanie Szostak, Lucy Punch, Bruce Greenwood, Larry Gilmore, David Williams, Ron Livingston, Andrea Savage, Kristen Schaal, Chris O’Dowd, Nick Kroll , Jeff Dunham, Octavia Spencer, Rick Overton