Saturday, January 24, 2026

NOBODY 2 (2025)

 

Directed By: Timo Tjahjanto 

Written By: Derek Kolstad and Aaron Rabin

Cinematography: Callan Green 

Editor: Elisabet Ronaldsdottir

Cast: Bob Odenkirk, Connie Nielsen, Christopher Lloyd, Rza, Colin Hanks, Sharon Stone, John Ortiz, Colin Salmon, Daniel Bernhardt, 

Workaholic assassin Hutch Mansell takes his family on a much-needed vacation to the small tourist town of Plummerville. However, he soon finds himself in the crosshairs of a corrupt theme-park operator, a shady sheriff, and a bloodthirsty crime boss.


this sequel is pretty much more of the same only not as deep or caring. It seems to go through the motions, but instead of a sequel it almost feels like a side pack of action sequences they didn’t use in the first one only set in a new location. 

It tries to further the main character a bit but again it just seems like the same thing. Nothing seems to truly get deep end except to explain why he’s still doing the same kind of business from the first film. It doesn’t help build a world just offering us an excuse for more action sequences 

While trying to stay comedic to an extent.

Even the things that should be exciting end up playing rather bland for instance, having Sharon Stone is the big villain what should have been a comeback ends on a whimper sort of like when Jean-Claude Van Damme was the villain in the expendables part 2

The film seems oddly rushed too so if you like the first film, you you’ll probably enjoy this film or at least be entertained by it, but it doesn’t offer much which is disappointing considering it’s directed by Timo Tjahjango 

A noted action director making his English language, American film debut after such classics as THE NIGHT COMES FOR US. 

Though to be fair, he was a replacement director only brought on eight weeks before production started. 

As the film has it’s fair share of action, which is what the film is mostly about as the plot just seems very thin and just there to connect everything for there to be this violence. The problem is going in the first films Violence was noteworthy, here It just feels like it’s more of the same and not as impressive.

It’s pretty cut and dry. You can see why they put this film out in the summer. As it plays like a typical summer action film with less imagination and more the continuing adventures of and it being barely 90 minutes can’t say that there’s much substance but it will please. It’s fans well enough as long as they’re not looking to dig too deep Honestly, it just feels like filler or the film equivalent of filler to a continuing franchise which considering it kind of bombed, I don’t know if there will be another one, though I hope if there is another one, they put more time heart thought into it so that it can truly be What it seems designed to be a B movie version of JOHN WICK

Though I will admit when it’s in its element, it is fun and entertaining. Even if it’s an obvious cash grab.

Grade: C

P

Friday, January 23, 2026

NOVOCAINE (2025)

 



Directed By: Dan Berk & Robert Olsen

Written By: Lars Jacobson 

Cinematography: Jacques Jouffret 

Editor: Christian Wagner 



Cast: Jack Quaid, Amber Midthunder, Ray Nicholson, Matt Walsh, Jacob Batalon, Betty Gabriel, Lou Betty Jr., Conrad Kemp 


When the girl of his dreams is kidnapped, a man incapable of feeling physical pain turns his rare condition into an unexpected advantage in the fight to rescue her.

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It Might be my age, but I didn’t expect this film to be so gruesomely violent. Which is just one of the surprises of this film. Though it also made it a bit hard to watch at times.


As it involved, broken protruding bones, and fingernails being taken out. Which are usually two of the things I can’t stand seeing on screen as far as violence luckily teeth being knocked out or removed is not shown on screen.


No, this is a surprisingly enjoyable action film with comedic elements at times obviously dark comedy that reminds me of the mid budget action films that studios used to release and that you would get excited for to watch that weekend as this film does have a high concept, but is worth it as it has layers that to help enforce the concept, but also serve the film and its characters as well as a story


It’s not a genius film, but it certainly is entertaining and gives the audience what it wants and offers maybe a little more than what they expected.


The cast is great throughout Jack Quaid, who is in many films. These days proves he does have that leading man, charming charisma as an every man Amanda Midthunder is perfectly cast as a love interest that he goes through all these hardships for sweet enough yet enticing enough to be believable as a woman that you risk it all for


The rest of the cast for Phil, their roles and characters excellently that they come off as believable, and that you actually care even if some of them are a little bit more disposable than you expected, Within the rhythms of the film. 


You never find yourself bored you might even think that this film was made by the filmmaker of the crank movies with its intensity, though this is definitely a softer core version of those films not to mention the humor isn’t quite as offensive, nor is the plotting as over the top.


The film is a fun ride. It’s memorable but doubt it will be anyone’s favorite though it might be one that you would tell your friends about. Definitely one that is a premier example of its kind that are rarely made by a studio anymore.


As the premise and cast would make you believe that this film would be more suited for streaming, but its quality is definitely made more for movie theaters.


Grade: C+

Thursday, January 22, 2026

THE AMATEUR (2025)

 


Directed By: James Hawes 

Written By: Ken Nolan and Gary Spinelli 

Based on the Novel By: Robert Littell

Cinematography: Martin Rhue

Editor: Jonathan Amos


Cast: Rami Malek, Laurence Fishburne, Holt McCallany, Danny Sapani, Julianne Nicholson, Jon Bernthal, Michael Stuhlbarg, Rachel Brosnahan, Adrian Martinez


When his supervisors at the CIA refuse to take action after his wife is killed in a London terrorist attack, a decoder takes matters into his own hands.

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You probably seen this film before it’s a pretty much a revenge tail where a character seeks revenge for the death or murder of a loved one and at first seems too weak or too meek 


Who somehow against all odds starts achieving in getting their revenge, but not always in the way in which they seek or expected .


This could’ve been a random episode of any kind of government series, or even then a full season of a limited series about the same subject in story, which would’ve at least given the film a chance to flash more of the characters out other than the lead and those who are working against him .


The film is pretty average. It stays entertaining and tries to offer some surprises that you might see coming though it’s not quite as action packed as maybe the trailer or storyline might have the audience believe there are action sequences, but they’re nothing phenomenal or breathtaking. They’re fairly average and actually pretty quick so that this plays off more as a dramatic thriller than anything else.


The twist and turns truly do show how smart that the main character is for what he might lack and physical prose, though it doesn’t help that some of the bigger supporting cast names are barely in the film for long periods of time and are severely underused 


One can understand why Rami Malek produce this and starting it as most likely there aren’t that many who would see him in this role naturally or as he plays the nerdy parts well the more physical aspects of the role would leave most in question. Which is actually one of the reasons why we might not see Rami Malik in so many films is that he’s hard to cast as he’s wiry physically and has quite a strange look and at times feels tilted and gives meek line readings.


That make him come across as a bit odd or more seeming like a character, actor, pro more eyeball rules, rather than leads or even villains. The film does pack a punch, but it’s not a lethal one. It’s more of a jab that will keep you entertained while watching though probably instantly forget once you’re done. It’s a great popcorn entertainment with a great cast that you wish had more to do.


as he just constantly sit through the film, waiting for all this to build up into something bigger and better or at least more and unfortunately, it doesn’t. It kinda goes out on a whimper rather than an extravaganza.


No, it’s not a lost cause, But  it’s nothing to write home about it. Does what it seeks out to do it entertains it makes you think you get caught up with the story and the characters but it’s just not that memorable and considering the cast that is on screen should be better.


Grade: C 


Wednesday, January 21, 2026

NIGHT CALL (2024)

 


Directed By: Michiel Blanchart 

Written By: Michiel Blanchart, Gilles Marchand and Laurent Brandenbourger

Cinematography: Sylvestre Vannoorenberghe

Editor: Matthieu Jamet 


Cast: Joanthan Feltre, Natacha Krief, Jonas Bloquet, Romain Duris, Thomas Mustin, Sam Louwyck, Nabil Mahat 


This night is like all the others for Mady, student by day, locksmith by night. But Claire, the enigmatic young girl he helps out that night, is not who she claims to be. Mady has only one night to prove his innocence in a city in turmoil.

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This is a film I pretty much went in blind and so happy I did. As this film stays lively throughout.


This is one of those films and thrillers where it takes place all In One evening that seems endless. As a character had until dawn to get themselves out of trouble or else they are doomed. It is an International release from Belgium. Where you can recognize some of it’s Influences. 


The film offers the usual double crosses. Not truly being able to trust anybody. The cops are vicious as the criminals. So where do you turn.


The film also has the chaos of a Black Lives Matter protest with people and police filling the streets, as a background that they are operating in. Which are some of the elements that keep it from playing basic or typical. Truly the only innocent character is the lead who is desperately trying to get out of trouble. Though even he gets some blood on his hands. It also helps that the pace is rushed but doesn’t feel that way. it's heart is always beating fast, but perfectly timed.


It also helps that the lead is African American who is being hunted and preyed upon by all these Caucasian characters throughout, which works as symbolism. As they are hunting and exploiting him, while he is the true innocent.


It’s so exciting and well put together. Offering very little fat. So that it stays quite lean and keeps moving. No time for side stories or any romance that might be hinted at in the beginning. it’s shocking that it was the directorial debut of Michiel Blanchart 


One thing I appreciated about this film is that it isn’t sentimental at all. It is rough and tough, dog eat dog. No last minute acts of mercy. 


It also stays gritty And believable. As the cast is newcomers and unrecognizable from any previous roles except for Romain Duris as the big bad. Not to mention a henchmen who looks like a scarily tough version of Jesse Eisenberg


if anything by the end you are left with some questions. As you know for the most part what happened, but you care so much you want to know what is next for the characters. Which shows that the film has grabbed you. Though to keep up it’s tough skin it stays a bit ambiguous.


Grade: B- 

Saturday, January 17, 2026

OMNI LOOP (2025)

 


Written & Directed By: Bernardo Britto 

Cinematography: Ava Benjamin Shorr

Editor: Martin Anderson and Bernardo Britto 


Cast: Mary Louise Parker, Ayo Edebiri, Carlos Jacott, Hannah Pearl Utt, Harris Yulin, Chris Witaske, Steven Maier, Eddie Cahill,


A woman from Miami, Florida decides to solve time travel in order to go back and be the person she always intended to.