KILLING MARY SUE (2025)

 

Written, Directed & Edited By: James Sunshine 

Cinematography: John Sawyer 

Cast: Sierra McCormick, Dermont Mulroney, Jake Busey, Sean Patrick Flannery, French Stewart, Martin Kove, Kym Whitley, Jason Mewes

A corrupt senator arranges for the murder of his biggest liability, his erratic burnout step-daughter, only for her to unwittingly discover her natural talent as an untouchable killer.

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This film is based on the term Mary Sue, coined by infamous canceled Screenwriter Max Landis the definition of the term is a type of female character who is depicted as Unrealistically  lacking in flaws or weaknesses 

So someone decided to write a whole film around this character that is supposed to be a dark and dirty action comedy that is rather vulgar and really has no characters to like or really root for that takes ridiculous big plot swings, even though using very limited locations 

this film ends up feeling more like a comedic riff on the Becky movies, which is Becky and wrath of Becky, which are about a teenage girl who is pretty much a psychotic sociopath and gets put in situations where she has to be the hero, taking down a gang of villains which she does quite easily as there is no real threat.

It’s the same here as she seeks her stepfather‘s love throughout, even though he’s the one who has set her up to be assassinated so that he can be reelected with the sympathy vote.

The character here obviously has daddy issues and it seems to be an addict of many things drugs, rough, sex, violence, sensationalism, and luckily, only part of this is shown throughout the film 

wow, this film should be fun and it’s ridiculous scenarios. It almost seems like a tax write off for character actors to make guest appearances or cameos and there’s not really that much meat to it and as much fun as the film wants us to have and as much as it wants us to laugh, it just feels grating.

like a comedian telling you a joke that they insist is funny and that they laugh at themselves, but you as an audience member you get the joke, but it’s just not that funny as much as I think it is and that’s what it’s like watching this film, this should be somewhat of a low budget guilty pleasure 

but watching it, you just can’t wait for it to end as it seems pretty predictable even when it thinks it’s offering surprises and even when it tries to be more outlandish, it sounds ridiculous and stupid that you are already not taking this from seriously but it just makes the film seem all the more not worth it

Which is a shame as they do have material here that could’ve been used to make something at least a little more entertaining and creative in the end. This just comes off as a waste of time even as the back movies aren’t that great at least the first one is somewhat entertaining. This feels like an unofficial, comedic, spoof or sequel

feels like one should have known as it’s rare that when French Stewart is NFL that it will actually be good or enjoyable as even in Bob Trevino likes it he comes across as the weak link. Though LOVE STINKS was somewhat enjoyable but for all the wrong reasons.

This is a film that tries to be hip, cool and in on the joke and it just ends up being corny and tired.

It’s also a female oriented movie that you can tell was written by men with no subtlety. 

Grade: F 

THE RIP (2026)

Written & Directed By: Joe Carnahan 

Story By: Michael McGrale 

Cinematography: Juan Miguel Azpiroz 

Editor: Kevin Hale

Cast: Matt Damon, Ben Affleck, Steven Yuen, Kyle Chandler, Catalina Sandino Moreno, Teyana Taylor, Sasha Calle, Scott Adkins, Nestor Carbonell, Lina Esco 

A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the huge seizure, making them question who to rely on.

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This Is a film one wouldn’t have mind seeing in a theater as to me. It’s that exciting visual and good, too good to just be relegated to streaming.

As it has Matt Damon and Ben Affleck back together again, though for once more in a action thriller than necessarily drama or comedy in which you usually see them costarring together in now while they didn’t write or direct this, they’re strictly in this and acting capacity their natural chemistry is still there

The film takes place in Miami of all places which I have never seen filmed darker as usually it’s filmed a lot more colorful and vibrant here. It just seems so cold that it might as well have been set in Boston.

While playing like a thriller in somewhat of a mystery, it’s pretty easy to figure out but appreciate that the film still try to make you question every character and their motives and giving reasons why there is plenty of gun play and Mano y Mano type attitudes and energy throughout

Which they really show in the third act by having most of the female character, sit out the action while all the men or the big names on the poster, do it out and share the reveals as well as a few chase scenes.

The film is entertaining in directed and written by Joe Carnahan. I’m not surprised as he has always been a solid Director, who specializes in gritty action films here he does what he does best. As the film stays exciting and entertaining throughout, even though it has very few locations in the film. Makes the best of it and still makes it feel like it in its own world, but identifiable in dark

They don’t make films like this much anymore and it’s nice to see something a little more hard hitting a film that can be itself and doesn’t necessarily care too much about being politically correct. As well as a cast that can do these roles in their sleep, but while it might be casting for some of the cast, it’s about face for others and it allows them to show their range and it’s quite a good look. Is a film made for an adult audience in the action crime junkies will love.

No, of course, Matt, Damon, and Ben Affleck are the leads and get the best scenes dialogue in action, but the supporting cast does as well as as they can with what they are handed and truly do stand out.

The only problem I could foresee with this film is, if there was ever a sequel that mystery element that worked here won’t work out so well in the next film, but you could see ongoing films with this crew and their adventures and what they have to go through, but it’s fine also as just a standalone film

Grade: B- 

CODE 3 (2025)

Directed By: Christopher Leone

Written By: Christopher Leone and Patrick Pianezza

Cinematography: Mark Williams 

Editor: Jay Friedkin

Cast: Rainn Wilson, Lil Rel Howery, Aimee Carrero, Yvette Nicole Brown, Rob Riggle, Page Kennedy, Xolo Mariduena, Andy Milder, Eric Jungmann

Follows a paramedic that is so burnt-out by the job that he is forcing himself to resign, however, he first must embark on one last 24-hour shift to train his replacement.

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It’s a premise that sounds simple, but it slowly reveals more weight than you might expect.

This film arrived quietly, with little fanfare, but it ends up being one of those low-key discoveries you’re genuinely glad you stumbled upon.

In some ways, this feels like a gentler, less nightmarish cousin to BRINGING OUT THE DEAD. Our lead has been in this life so long that chaos is second nature, even as it’s clearly hollowing him out. He frequently breaks the fourth wall, letting us in on his internal monologue and dropping bits of EMT trivia that feel funny, sad, and revealing all at once.

Most of the film lives inside that single shift. riding along with his partner and trainee as they move from call to call. We see the patients, the downtime, the doctors, the red tape, the absurdity, and the quiet exhaustion that comes with a job where the world’s worst moments are just another stop on the route.

Just when the film seems like it’s going to stay light, it takes a darker turn, then eases back again. That tonal push and pull feels intentional, mirroring how life works when you think you’ve hit your breaking point, only to realize you still have to keep going. And somehow, the film finds room for hope without forcing it.

It’s not a gory movie, but it can hit hard. Rainn Wilson is excellent in the lead, fully proving his range as a character actor. Lil Rel Howery gets to stretch into more dramatic territory while still landing the humor. You could call this a buddy comedy, but the partnership is already fully formed when the movie begins, and the film is more interested in the cracks and complexities than the setup.

There’s also a strong streak of Kafkaesque frustration running through the story, systems that don’t make sense, problems that pile up, and no easy way out. Yet despite all that, this is a surprisingly emotional and good-hearted film.

As dark as it wants to be, it can’t help but let some light in. It’s a bit of a pick-me-up, even if you have to wade through some mud to earn it. It may not seem special at first glance, but if you stay with it, the charm reveals itself.

Grade: B

THE ROUNDUP: PUNISHMENT (2024)

Directed By: Heo Myeong-Haeng

Written By: Oh Sang-ho

Cinematography: Sung-Jeo Lee

Cast: Ma Dong-Seok, Kim Mu-Yeol, Park Ji-Huan, Lee Dong-Hwi, Lee Beom-Soo, Hyun Bong-Sik, Kim Do-geon, Lee Ji-Houn, Lee ju-bin 

Detective Ma Seok-do joins the Cyber Investigation Team to nab Baek Chang-ki, a former mercenary and the head of an online gambling organization.

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This is like a modern day Korean version of Clint Eastwood‘s DIRTY HARRY films only more action oriented. 

As the films in this franchise play like typical procedurals on a much grander scale. As most of the films follow the same formula with the same main police detective character Detective Ma Seok-Do, only now in a different department, but has the same captain, same partner, the same informant that he uses and tricks with promises that he never really delivers on that will help him throughout. Played by Lee Dong-Hwi 

The only thing that really changes is the villains who always come off as damn near impossible to defeat, but yet by the end of the film and hand on hand combat are defeated within 10 minutes by the main main character

Instead of a noted, Smith & Wesson or Magnum gun here the weapon of choice is the detectives fist which are lethal weapons in themselves and he uses quite freely. They don’t necessarily kill, but they do enough damage.

These films are violent as usually the villains have no humanity so that these films do feel kind of like 80s or 90s action films only on foreign soil, not quite as violent, but they have an upbeat attitude and don’t dwell too long on things they keep the story moving and keep leading from one action sequence to another, even though it does play up the thriller elements quite a bit

They are never slow and keep up the pace and quite entertaining even though the movies are usually typically two hours they feel like they could be a television episode yet one keeps finding themselves drawn to this franchise as long as they keep making them they are of good quality and never quite let you down nor are ever  boring. Nor are they really that deep.

So if looking for just an entertaining action film, that’s a bit glossy, but engaging. I would say you can’t go wrong with this film nor any in the franchise as they don’t disappoint and they keep it moving

Grade: B-

 

TRON: ARES (2025)

Directed By: Joachim Ronning 

Written By: Jesse Wigutow

Story By: Jesse Wigutow and David Diglio

Based on characters created By: Steven Lisberger and Bonnie Macbird 

Cinematography: Jeff Cronenweth 

Editor: Tyler Nelson 

Cast: Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Gillian Anderson, Jeff Bridges, Arturo Castro, Cameron Monaghan, Hasan Minhaj, 

A highly sophisticated program, Ares, is sent from the digital world into the real world on a dangerous mission.

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Now I was prepared to really dislike the movie.  As I have seen the previous two TRON’S and liked them, but I wouldn’t say I’m a fan of the franchise so when another one was announced to come out, I was shocked and I really didn’t understand why because I know that the last film had gone way over budget and was not seen as a hit, even if the soundtrack by Daft Punk was

Though I have to say watching this film, it feels a little simplistic, but I surprisingly found myself entertained. I’m not going to say that the film is great, but it is entertaining enough to keep your interest as majorly. It is more style over substance and it’s a film that looks great and the special effects look seamless. The action scene is the ones that they are are pretty clean. Get well shot.

Even though I’m not the biggest fan of Jared Leto as many times though method, he seems like how I describe this movie style over substance. He does what is needed as the lead of the film. Greta Lee, as the co-lead of the film deserves better material than this, especially as a best actress nominee, though I am a fan and understand hey, this might be the best that she got out of the scripts offered and she does what she needs to do in her role.

This is the type of film that would’ve came out in the late 90s and early 2000 and seemed kind of basic but watching it here this is truly a film that is more spectacle than storytelling as instead of dealing with the Tron world inside of the computer like the last two films it explores Tron coming into the real world which helps keep the budget down, but also explores new territory, even if not as wondrous.

The fountain definitely feels more in debt to the 1980s of the evil corporation head, wanting to control all instead of using the technology to help or just to open up the world. 

Now the history of this film was that originally there was supposed to be a sequel to the 2010 movie Tron Legacy in 2012 called Tron Ascension, which was more of a direct sequel but due to the budget and the Tron legacy not doing as well as expected the film was shelved while Jared Lido was attached to play a role. What ended up happening is that the writer strike happened in Disney needed a tent pole film for 2025 just in case depending on how long the rider strike went on so they dusted off the old Tron ascension script, and once the writer strike ended quickly rewrote that script to be more of a kind of continuation, but also standalone not really needing to repeat any characters from the previous film and Jared Leto got a career high payment of 15 million to star in the film.

I don’t know how the die hard of the franchise will feel about this film, and truthfully, it is quite disposable, but the two things that stand out from the film or the soundtrack by Nine Inch Nails, so continuing in the tradition of memorable soundtracks of the Tron films, and also the look while it doesn’t break new ground and special effects the style of the film is just so beautiful and delicious to look at that even if you don’t like the film, you can’t deny it’s looks. As it is as sleek, slender and, conditioned as the leads.

Two of the reasons for the Sharp look is cinematographer Jeff Cronenweth known for dark beautiful visuals and director Joachim Ronning is a director of range but constantly sharp visuals. 

This comes off as a guilty pleasure and the technology shown off seems advanced, but yet behind as far as on-screen tech innovation goes. 

The film isn’t as smart as it likes to think it which isn’t very, but works as a kind of mindless popcorn science fiction movie. So if looking for check your brain at the door entertainment this is perfect for you. 

Grade: C+