Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Tuesday, July 1, 2025

28 YEARS LATER (2025)

 


Directed By: Danny Boyle

Written By: Alex Garland 

Cinematography: Anthony Dod Mantle 

Editor: Jon Harris 


Cast: Aaron Taylor Johnson, Jodie Comer, Ralph Fiennes, Alfie Williams, Edvin Ryding, Jack O’Connell, Chi Lewis Parry, Amy Cameron, Christopher Fulford


It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.

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This is a  Long awaited, sequel from the filmmakers who made the first and original 28 days later. Come back to offer another original slice for the franchise even after sitting out the previous sequel 28 weeks later.


Well, with this film, they up the antique actually filming it with an iPhone, but not in the way you think not an actual cell phone but the same technology and rigged up. 


while it does tell its own tale that is connected to the franchise, that might be part of the problem with the film as the film works like a Marvel movie where it should be a standalone that offers the promise of sequels or expanding the world of the 28 later franchise by the end of the film after it tells its tail it just feels like a part one of a way bigger saga so that it comes across is more episodic than a standalone which can work, but it drags the quality of the film down as everything that you’ve seen before you know is going to lead to something else but it’s not quite its own tale or its own film.


It also doesn’t help that the film isn’t really a horror film in the traditional sense. It’s more a post apocalyptic tale than anything else And also seems to hit a lot of bad notes that are perfectly fine, but kind of don’t exactly match one another so it doesn’t all come together as smoothly as it should


As it seems like the two sequels after this will be handled by different directors so it’s almost like a tag team effort like this is director Danny Boyle coming back to start it off, and then he passes the baton to the next person who then continues the story from what we’ve previously seen and tells it in their own way, and then finally the next film is held by somebody different. Who then will tell the 28 later tales in their own way, but give it an ending for now as far as we know


Though let’s focus on what this film does again it sets up the rules of this world and it’s been 28 years since it has been out there. How people have survived what the culture has been and certain territories and what it seems like the rest of the world is doing or handling the situation.


From the opening scene, this film shows that it has no sacred cows and it’s slaughter and violence so that not even children or holy people are safe. Everyone is treated the same.


The film focuses on a young boy and his family him, and his father are hunters who go to the mainland to hunt and look for any kind of supplies to hopefully bring back . Though when the young boy whose mother is suffering from a disease as there are no doctors here that there might be a doctor out there in the wild is willing to take the risk to escape with his mother to the infected lands to try and find this doctor, so hopefully diagnose and care of her so that the rest of the film is pretty much an Odyssey.


It’s also a family tale so that at times it’s its own demented fairytale that has a very demented backstory, but could be folklore also


You’re enjoyment of this film will really retested by how much you can stand this child whether you think he is making the worse and stupidest decisions or you will be able to have empathy and understand why he would risk all of this for his mother 


The film is not going, please everyone and seems to have divided audiences who either seem to have wanted more of the same of the previous films or wanted something a little better structured story wise as the visuals and direction are definitely tight but the story for some might be a little too light or feels like it’s filling the blanks


though in these days and times it’s harder and harder to make an original zombie tale when there’s already so many zombie films out there plus you have The Walking Dead television show telling tales of zombies, even if this is the franchise that helped start the trend of fast or normal speed, running zombies.


The film also has things or seems that you never would have expected on screen such as a pregnant zombie giving birth, which one hadn’t really seen since the remake of day of the dead. The film does depict the zombies with full frontal, nudity, male and female.


The actors are all good in their roles, even if not given too much to do or more playing a bit more cliche roles. As Jody Comer is the costar of the film, and even though she’s in more than half of the movie, I still wish they had given her more to do or she had more to play refines as always steals his scene in his supporting role, as well as Aaron Taylor, Johnson showing his compassion as a father, but also showing that he can do action fiercely.


The film works, as it is a tail that is set in a larger universe that has been built slowly, but surely the story might not be as strong as some people would’ve liked nor as action oriented or violent as maybe some had hoped, but I will give the film credit for trying something unexpected whether it succeeded or not is up to the individual audience member, but I enjoyed myself watching the film


The soundtrack is very good by the group young fathers who I am also a fan of him was surprised to find out they did the soundtrack for which is excellent.


it’s an adequate attempt and a good return to the franchise for Danny Boyle and Ryder Alex Garland one just wishes the film felt a little bit stronger and into more of the hints that it feels like will be revealed in further films but are introduced here that keep your imagination open but doesn’t do this to any favors of adding anything to itself.


This is like seeing the sketch before you see the finish painting that is how I would compare this film.


Grade: B 

Saturday, May 31, 2025

Y2K (2024)

 


Directed By: Kyle Mooney 

Written By: Kyle Mooney and Kevin Minter

Cinematography: Bill Pope

Editor: David Marks 


Cast: Jaeden Martell, Rachel Zegler, Julian Dennison, Daniel Zolghardi, Lachlan Watson, Eduardo Franco, Kyle Mooney, Mason Gooding, The Kid Leroi, Alicia Silverstone, Tim Heidecker, Miles Robbins 


Two high school nobodies make the decision to crash the last major celebration before the new millennium on New Year's Eve 1999. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.



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 this film feels like Something that was written by a teenager in the 1990’s as their opus and then 20 years later dusted off discovered and written through a modern lens to be both nostalgic and have a kind of recent commentary


As it feels poem a guilty pelasure of that decade and can see this film being a guilty pleasure for certain aidnece members. As it seems to be for writer-director and performer Kyle Mooney making his second film here after BRIGSBY BEAR from 2017


The film Plays like a worst case scenario nightmare of the y2k bug from 1999 where it was feared that once it turned to the year 2000 most electronics would either fail or malfunction


At first, the film tries to smother us in the pop culture of 1999 and drown those of us who remember it with the nostalgia and laughs of how ridiculous it was. as well as touching that universal truth of you of high school crushes parties, bands, being the outsiders having an identity that is defined by what your into not really knowing necessarily who you are or only coming into your own, and beginning to form will be of age such as that


No, as it tries to get into that territory, more concerns itself with its plot of a group of teenagers trying to survive as technology rebuild itself to take over the human race and become simulators and the antics that happened while trying to survive


The film has an eclectic cast which it seems meant to as the characters they play are those who have known each other for years, but never really bonded or gotten to know one another and seem to be separated by social class. 


Julian Dennison being the brave comedic relief in the film is truly the heart and fun of this film and when he leaves the film. It truly makes its complete change to another genre. Though it tries to keep the laughs coming. 


I will offer this one spoiler if you are not a fan of the rapper musician known as the kid Laroi you might enjoy his fate in this film.


The film Also features a comeback of a certain entertainer from that period whose 2024 was greet with a role here and in a cricucally

Acclaimed cult film that premiered in 2024 


The film might have a built-in audience, though for some of its originality it does feel like a letdown of sorts as it’s not really too deep and it’s fine for what it is, but there’s nothing that impressive about it again it stays entertaining though you wish either did more or had more to it. As the film falls short from what it seems it has the possibility of doing or where it seems headed. As even with a 15million dollar budget it look so much lower budgeted. So it seems most of the money went on thebsoecialmeffects which are mostly practical butbfirnall the innovations made also loom like 1990’s visual effects one is sure it was planned that way, but still could have been a bit more smooth


Approach this film with caution. As it’

Cute but feels more made for teens though seems marketed to the now middle-aged teen crowd of the 1990’s.


Though it also plays like some long lost unseen self declared classic movie that the stoner video store clerk played by Kyle Mooney would recommend. Like a mash up no one Requested and feels forced.  


Grade: C

Friday, May 9, 2025

CUCKOO (2024)

 



Written & Directed By: Tilman Singer 

Cinematography: Paul Feltz 

Editor: Terel Gibson and Philipp Thomas 



Cast: Hunter Schafer, Dan Stevens, Marton Csokas, Jessica Henwick, Greta Fernadez, Jan Bluthardt, Proschart Madani, Astrid Berges-Frisby


Reluctantly, 17-year-old Gretchen leaves her American home to live with her father, who has just moved into a resort in the German Alps with his new family. Arriving at their future residence, they are greeted by Mr. König, her father's boss, who takes an inexplicable interest in Gretchen's mute half-sister Alma. Something doesn't seem right in this tranquil vacation paradise. Gretchen is plagued by strange noises and bloody visions until she discovers a shocking secret that also concerns her own family.



Saturday, April 12, 2025

SUBSERVIENCE (2024)

 


Directed By: S.K. Dale

Written By: Will Honley and April Maguire 

Cinematography: Daniel Lindholm 

Editor: Sean Lahiff 


Cast: Megan Fox, Michele Morrone, Madeline Zima, Matilda Firth, Andrew Whipp, Atlas Srebrev, Manal El-Feitury, Antoni Davidov 


Follows a struggling father who purchases a domestic SIM to help care for his house and family, unaware she will gain awareness and turn deadly.


Friday, April 11, 2025

IT’S WHAT’S INSIDE (2024)

 


Written, Directed & Edited By: Gregory Jardin 

Cinematography: Kevin Fletcher 


Cast: Brittany O’Grady, James Morosini, Gavin Leatherwood, Nina Bloomgarden, Alycia Debnam-Carey, Reina Hardesty, Devon Terrell, David Thompson, Madison Davenport 


A group of friends gather for a pre-wedding party that descends into an existential nightmare when an estranged friend arrives with a mysterious game that awakens long-hidden secrets, desires and grudges.


Thursday, April 10, 2025

MORGAN (2016)

  


Directed By: Luke Scott

Written By: Seth Owen 

Cinematography: Mark Patten 

Editor: Laura Jennings 


Cast: Kate Mara, Anya Taylor-Joy, Rose Leslie, Toby Jones, Michelle Yeoh, Garret Hudlund, Paul Giamatti, Jennifer Jason Leigh, Brian Cox 


A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being.


Tuesday, April 1, 2025

THE ELECTRIC STATE (2025)

 


Directed By: Joe Russo & Anthony Russo

Written by: Christopher Markus And Stephen McFeely

Based on the Graphic Novel By: Simon Stalenhag

Cinematography: Stephen F. Windon 

Editor: Jeffrey Ford 


Cast: Millie Bobby Brown, Chris Pratt, Stanley Tucci, Giancarlo Esposito, Colman Domingo, Jason Alexander, Ke Huy Quan, Holly Hunter, Woody Harrelson, Billy Gardell


the story takes place in a reimagined version of 1997. With humans isolated in their VR helmets and a continuing battle against a strange breed of monstruous drones in the wake of a technological meltdown, a teenage girl named Michelle and a robot travel the West Coast of the U.S in search of the girl's missing brother.


Tuesday, March 18, 2025

MICKEY 17 (2025)

 


Written & Directed By: Bong Joon Ho

Based on the novel “MICKEY 7” By: Edward Ashton

Cinematography: Darius Khondji

Editor: Jimmo Yang 


Cast: Robert Pattinson, Naomi Ackie, Mark Ruffalo, Toni Collette, Steven Yeun, Anamaria Vartolomei, Holliday Grainger, Patsy Ferran, Thomas Turgoose, Steve Park 


Adapted from the novel Mickey7 by Edward Ashton, an "expendable" - a disposable crew member on a space mission, selected for dangerous tasks because his body can be reprinted if he dies, with his memories largely intact. With one regeneration, though, things go very wrong.


Friday, February 21, 2025

THE ANGRY BLACK GIRL AND HER MONSTER (2023)

 



Written & Directed By: Bomani J. Story 

Cinematography: Daphne Qin Wu

Editor: Annie DeBrock


Cast: Laya Deleon Hayes, Denzel Whitaker, Chad L. Coleman, Reilly Brooke Stith, Keith Holliday, Amani Summer, Eden Atsu-Swanzy, Ellis Hobbs IV


Vicaria's a brilliant teenager. After the brutal murder of her brother, she embarks on a dangerous journey to resurrect him.



Friday, December 13, 2024

THE WATCHERS (2024)

 


Written & Directed By: Ishana Shyamalan 

Based On the Novel By: A.M. Shine 

Cinematography: Eli Arenson 

Editor: Job Ter Burg 


Cast: Dakota Fanning, Georgina Campbell, Olsen Fouere, Oliver Finnegan, Alister Brammer, John Lynch, Siobhan Hewlett 


A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.