THE GUTTER (2024)

 

Directed By: Isaiah Lester & Yassir Lester 

Written By: Yassir Lester 

Cinematography: Veronica Bouza 

Editor: David Dean and Josh Porron

Cast: Shamiek Moore, D’Arcy Carden, Susan Sarandon, Paul Reiser, Kim Fields, Paul Scheer, Jay Ellis, Langston Kerman, Jackee Harry, Adam Brody

Walt lands work at bowling alley AlleyCatz. He's pressured to embrace his bowling talent, which sparks backlash from detractors seeking to undermine his sudden pro success.

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This is a film that will instantly remind most of the movie KINGPIN. As a revolves around bowling and a come back for an alcoholic, former champion as well as an innocent newcomer, who is a natural at the sport, who gets a little seduced by the Fame and the money to a degree. 

So you can obviously see some of its inspirations. 

It’s also a goofy comedy like that film only not as focused on gross out humor. Here the film just get more and more ridiculous as it goes along, but it manages to keep It’s humor and a smile on the audiences faces. As you take nothing presented that seriously.

As the film has it’s basic story elements constructed but seems to through jokes all

Over the place. Where happy the cast seems more like guest stars or that they were friends with the cast and crew and decided to make cameos in small roles for the day. 

Most of the characters aren’t that successful and come actors as dumb. Some dumber than others. Though in all the silliness It’s ok 

You will more be shocked at the casting of the film more than anything. The film’s humor is more dirty than anything but not over the top. As the film is quite charming. Nevertheless over staying it’s welcome. 

It’s nothing too special, nor offers too many surprises but it has a good heart and likeable enough characters.

The film stays simple and entertaining. It’s not a film you will remember much about afterwards but you should enjoy as it plays. 

Grade: C+

FREAKY TALES (2025)

 

Written & Directed By: Anna Boden & Ryan Fleck

Cinematography: Jac Fitzgerald

Editor: Robert Komatsu

Cast: Pedro Pascal, Jay Ellis, Ben Mendelsohn, Normani, Dominique Thorne, Angus Cloud, Too $hort, Ji-Young Yoo, Jack Champion, Kier Gilchrist 

Four interconnected stories set in 1987 Oakland, CA. will tell about the love of music, movies, people, places and memories beyond our knowable universe.

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I’m Going to say this right now that this room is best to go into blind, as that is the best way to experience it, and might offer you more of a surprise or surprise is there anything. As even if you seen the trailer there’s still enough mystery to not know exactly what you’re getting into.

One thing that can be said Is that the film doesn’t really live up to its title as there are tails I don’t know how freaky they are, rather than just tales of an anthology. The film feels more like short stories, that take place around one another in the bay Oakland, California, as characters do cross paths with each other in different tails, but each one has its own kind of genre in story. It feels very Tarantino ask the light and more of a wannabe.

The thing that connects them might be violence and Oakland legends like Tom Hanks in Too $hort you are treated like legends in this film, and Too $hort has a cameo as well as being betrayed by someone else in one of the stories.

The stories here, pretty much cut and dry. They don’t offer that much in the way of surprises. One story focuses on punks versus Nazis and we get to know some of the characters involved. The next story is about two young African-American women going into a rap battle. The next story is a tale of redemption in the past in the last tail is more of a revenge tail inspired. It feels like by game of death the Bruce Lee movie.

Truthfully, the first tale could’ve been its own film in itself exploring the characters a bit more, but maybe it was in case of been there done that no not offering up as much of a diverse characters in the Punk cultural scene. 

The film fall short as it doesn’t really live up to its title and what are the stories, eventually connect your left, wanting more or expecting more from it, especially with the angle of this green substance, that really only comes into play effectively in one tale, but does work to connect or let the audience know Somethings about to happen. it’s a harbinger.

One wishes, the film was much better as it definitely has the creativity and talent involved. It just builds to a certain level and never goes past it even when it seems like it has the strength to go further and be better.

It’s around the 80s which gives a kind of a nostalgic, feel where you can look back and laugh at the fashions, but I also remember them as that was what was cool at the time as well as the culture.

The film Does offer plenty of cameos throughout the film

No, it isn’t mirable as it still keeps too similar themes but like a true short story collection, it has different types of tails where one can be more comedic. One can be more dramatic. It’s the same here, whereas one tail, or at least two tails are pure, more action territory. Another could just be a kind of a slight more success story.

Wow, the film has trouble living up to its title. It is still worth checking out.

Grade: C+

ESCAPE ROOM (2019)

Directed By: Adam Robitel 
Written By: Bragi Schut & Maria Melnik 
Story By: Bragi Schut 
Cinematography: Marc Spicer 
Editor: Steve Mirkovich 


Cast: Taylor Russell, Jay Ellis, Tyler Labine, Logan Miller, Deborah Ann Woll, Nik Dodani, Jessica Sutton 

Six strangers are given mysterious black boxes with tickets to an immersive escape room for a chance to win tons of money. Being locked in several rooms with extreme conditions, they discover the secrets behind the escape room and must fight to survive and to find a way out.