Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts

Saturday, October 4, 2025

THE GIRL WITH THE NEEDLE (2024)

 


Directed By: Magnus Von Horn

Written By: Magnus Von Horn And Line Langebek 

Cinematography: Michal Dymek 

Editor: Agnieszka Glinska 



Cast: Vic Carmen Sonne, Trine Dryholm, Besir Zeciri, Joachim Fjerstrup, Tessa Hoder, Ava Knox Martin, Ari Alexander, Benedikte Hansen 


Copenhagen 1919: A young worker finds herself unemployed and pregnant. She meets Dagmar, who runs an underground adoption agency. A strong connection grows but her world shatters when she stumbles on the shocking truth behind her work.

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This is a film that is hard to talk about as it is definitely a film. You should watch before fighting out too much information about the film so that you can discover what the film offers.


So if you haven’t seen it already, please stop reading this review as to discuss it. You can’t help but spoil part of it, though I will say this is definitely an experience. 


A historical tale filmed in black and white in Germany. This is a film that you admire the acting in the filmmaking, but it’s not a film. You will watch repeatedly due to it subject matter as it is definitely a hard watch after a while. 


The film does start out bleak, but it also at time seems to offer mercy and forgiveness that you think that the main character might still have a chance at a good life or things turning around for her only for it to become bleak again and things turned tragic.


especially when you get to the third act of the film, which is where the audience will be tested as to whether they can finish the film and go further it’s not what is shown on screen, but what the characters do that will be the thing that will be upsetting for most of the audience. Especially where in the end it reveals that this is based on a true story.


as when you’re watching the film, you’re just wondering like what kind of sick mind came up with this storyline and did it have to be as harsh but then the truly scary part is that it’s not necessarily an extension of the writer directors imagination, but presenting the facts to a certain extent 


The film is breathtaking in a way in which it begins at first you think it’s gonna be a rags to riches story but it seems to be a rags with hopes of riches gets a taste of riches get thrown back into rags and at the worst moments sort of gets lifted up only to be thrown down and even lower than they were before.


It humanizes even the violent characters giving a twisted reasoning for their behaviors as the film tries to end with a little bit of hope that you wonder is it too late and have the characters gone too far for that 


One of the amazing aspects of this movie is the lead played by Vic Carmen Sonne. as an actress she is quite a chameleon because though her character is pretty here, she’s so run down and grab that she has common looks, but has a look that stands out and then as a film goer, you remember her from the controversial movie HOLIDAY in which she played pretty much a cat woman, a sugar, baby, who all these men desired and literally were harming each other over her and here she’s treated like a little nothing


If anything this film ends up being a survivor story the cinematography black and white film is so beautiful and timeless that even though it’s said in the past, it feels like something that could still happen today when people are at their lowest.


This is one of those films where you know you’re never going to watch it again necessarily more because of the subject matter because it’s a beautifully made film. The filmmaking is exceptional, but the subject matter is hard for anyone to take and watch, even if not showing graphically just the thought of it the horror, the horrors. 


No one can understand why the story needs to be told but also you wonder once you know the twist does it lose the power of it as if you go into this film blind and let it build you’re going along a journey where you don’t know where it’s going to lead, and then that choice happens And has its effect on subsequent views if you choose to, is the filmmaking still powerful now that you know the twist, does it stay as strong on a repeat view it or was this meant to be a one and done?


For all the praise that movies like the sixth sense for instance gets and it is a well-made movie, but it doesn’t hit as hard once you know the twist so would it be quite as remarkable or stand the test of time without it. As always, I guess that is up to the individual. As some will keep watching just for the innovations or the filmmaking or the performances or they’ll find something to come back for. No matter how grizzly it might eventually become or even just to study it to see the clues if any early on order to see how it affects them slowly going to where they know the film is going to go.


as always, I will warn this is definitely not a film for everyone. If you are highly sensitive I would definitely say skip this movie maybe read up about it instead as again the film isn’t glory or even a violent, but it is subtle and it’s horror that will haunt and disturb you. 


Grade: A 

Thursday, May 22, 2025

SUGAR BABY (1985)

 


Directed By: Percy Adlon 

Written By: Percy Adlon and Gwendolyn Von Ambasser

Cinematography: Johanna Heer

Editor: Jean-Claude Piroue


Cast: Marianne Sagebrecht, Elsi Gulp, Toni Berger, Manuela Denz, Will Spindler, Hans Stadlbauer, Meret Burger 


An asocial, obese German woman lives in a large city. Unfortunately, despite her kind and intelligent personality, she has had a lot of trouble making a connection with people, until she gets a crush on a handsome subway conductor.


Though this film sounds more modern about an older person taking care of a beautiful younger person financially and them doing the ssmenin return socially and physically. The same happens here but it is more romantic and emotional. Same title different meaning. Oh how the times have changed 


Throughout this film I had the feeling that I had seen this film before. As it constantly felt familiar though I I had only learned of this film in the previous weeks. Then by the end a particular scene jogged my memory. I didn’t see this film exactly, but a televison movie name BABYCAKES starring Ricki Lake and Craig Sheffer. Which o found out was a remake of this film.


Only with a happier and less ambiguous ending. As this original is definitely more sexual and a bit more twisted, but still sweet and more direct. 


As this film goes the artistic route in It’s stark lighting and camera work that seems to go a bit haywire at times in romantic scenes. I am shocked this film hasn’t become a cult film with a following. 


The lead played by Marianne Sagebrecht comes off as lonely and sad but also smart and determined. As we watch in her determined pursuit of her crush. Who seems like an epiphany to her one day.


Their romance takes up most of the film. As they find salvation in one another. Even though he is married. Most of the scenes are of their courtship and romance and some sex. The main difference between the movies other than country of origin is in the remake she has a best friend who is jealous and kind of pulls the rug out from under the romance.


The main attraction of this film is that the female is older and overweight. Making her seem all the more desperate and like her pursuit is more of a dream of fairytale. As the guy is considered think or in this original rather average but skinny. So when she manages to get him it is joyous and a wish come true. So it truly feels like the underdog finding victory. Only unlike most romances we stay way past the victory lap and watch as they deal with reality and the world. Remeber You have to defend your title at times. 


As I saw the remake first I have to side with it as far as presentation of the story and offering up a happy ending. Even though the original is more truthful, artistic and focused. 


Grade: C 

Thursday, January 16, 2025

JEFF OF THE CINEFILES & UNFINISHED BUSINESS: HALL OF FAME - FILE #0075: THE FAN (*DER FAN) (1982)

 


Written & Directed By: Eckhart Schmidt 

Cinematography: Bernd Heini

Editor: Patricia Rommel and Raoul Sternberg 


Cast: Desiree Nosbusch, Bodo Staiger, Simone Brahmann, Jonas Vischer, Helga Tolle, Klaus Munster, Ian Moorse, Wilfried Blasberg 


The hero-worship that Simone has for a pop singer is built to a crescendo until she passes out when she finally sees him up-close in a crowd of fans pushing him for autographs. She is later shocked when he lets her know that he does not love her. In an instant, she is caught "in a trance" and feels a murderous urge that is bigger than the both of them.


Wednesday, January 3, 2024

THE ZONE OF INTEREST (2023)

 


Written & Directed By: Jonathan Glazer 

Based On The Novel By: Martin Amis

Cinematography: Lukasz Zal 

Editor: Paul Watts 


Cast:: Sanda Huller, Christian Friedel, Freya Kreutzkam, Ralph Herforth, Max Beck, Ralf Zillman, Imogen Kooge, Lilli Falk, Stephanie Pertrowitz 

The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.

Friday, May 27, 2022

UNDINE (2020)

 


Written & Directed By: Christian Petzold Cinematography: Hans Fromm  Editor: Bettina Bohler


Cast: Paula Beer, Franz Rogowski, Maryam Zaree, Jacob Matschenz, Anne Ratte-Polle, Gloria Andres De Oliveira 

Undine works as a historian lecturing on Berlin's urban development. But when the man she loves leaves her, the ancient myth catches up with her. Undine has to kill the man who betrays her and return to the water.

Thursday, January 27, 2022

NOTHING BAD CAN HAPPEN (2013)

 



Written & Directed By: Katrin Gebbe Cinematography: Moritz Schultbieb Editor: Heike Gnida 


Cast: Julius Feldmeier, Sascha Alexander Gersak, Annika Kuhl, Gro Swantje Kohljof, Daniel Michael


The young Tore seeks in Hamburg a new life among the religious group called The Jesus Freaks. When he by accident meets a family and helps them to repair their car, he believes that a heavenly wonder has helped him. He starts a friendship with the father of the family, Benno. Soon he moves in with them at their garden plot, not knowing what cruelty is there to come. True to his religious belief he stays with them although the increasing violence by Benno is torturing him. Tore is fighting the torment with his own weapons. So a dangerous struggle between libidinous actions and altruism begins. Inspired by true events.

Friday, October 22, 2021

BLOOD RED SKY (2021)

 



Directed By: Peter Thorwarth  Written By: Peter Thorwarth & Stefan Holtz  Cinematography: Yoshi Heimrath  Editor: Knut Hake 


Cast: Peri Baumeister, Dominic Purcell, Carl Koch, Alexander Scheer, Kai Ivo Baulitz, Kai Setti, Roland Moller, Gordon Brown 

A woman with a mysterious illness is forced into action when a group of terrorists attempts to hijack a transatlantic overnight flight.

Friday, September 10, 2021

SYSTEM CRASHER (2019)

 



Written & Directed By: Nora Fingscheidt Cinematography: Yunus Roy Imer Editor: Stephan Bechinger & Julia Kovalenko

Cast: Helena Zengel, Albrecht Schuch, Gabriela Maria Schmeide, Lisa Hagmeister, Melanie Straub, Maryam Zaree 

She is small but dangerous. Wherever Benni ends up, she is immediately expelled. The wild 9-year-old girl has already become what child protection services call a "system crasher". And she is certainly not looking to change her ways. Because Benni has one single goal: to be back at home with her mommy. But Bianca is scared of her own daughter. Mrs. Bafané from child protection services is trying her best to find a permanent placement for Benni. She hires the anger management trainer Micha as Benni's school escort and suddenly there is a seed of hope. Will Micha be able to succeed where all others despaired?

Thursday, March 25, 2021

TIGER GIRL (2017)

 


Directed By: Jakob Lass Written By: Jakob Lass, Eva-Maria Reimer, Ines Schiller, Hannah Schops & Nicolas Woche Cinematography: Timon Schappi  Editor: Adrienne Hudson & Gesa Jager


Cast: Ella Rumpf, Maria-Victoria Dragus, Enno Trebs, Orce Fehschau, Franz Rogowski, Lana Cooper 

Having failed to get into the police force, Margarete takes up training as a security guard. One night she runs into a sexually aggressive ex-colleague who insists on hailing a taxi to take her home to his place. Enter Tiger: short brown hair, a tough girl and a fighter, the cab driver. Realizing that the situation is far from consensual, Tiger speeds off with Margarete, leaving her companion standing in the street. It won't be the last time she rushes to Margarete's aid. Tiger lives in an attic flat with two men. She knows how to wield a baseball bat. Stealing a uniform from security and renaming Margarete 'Vanilla', she begins to steer her life in a completely different direction.

Saturday, March 12, 2016

WOYZECK (1979)



Written & Directed By: Werner Herzog 
Based On The Play By: Georg Buchner 
Cinematography By: Jorg-Schmidt-Reitwein 
Editor: Beitman Mainka-Jellinghaus 


Cast: Klaus Kinski, Eva Mattes, Wolfgang Reichmann, Willy Semmelrogge, Paul Burian, Irm Herrman, Volker Pretchtel

Saturday, January 16, 2016

DER SAMURAI (THE SAMURAI) (2014)



Written, Edited & Directed By: Till Kleinert 
Cinematography By: Martin Hanslmayr 


Cast: Michel Diercks, Pit Bukowski, Uwe Preuss, Kaja Blachnik, Ulrike Bleifert, Christopher Kane, Yvonne Yung Hee

Saturday, May 23, 2015

IN JULY (IN JULI) (2000)



Written & Directed By: Faith Akin 
Cinematography By: Pierre Aim 
Editor: Andrew Bird 

Cast: Mortiz Bleibtreu, Christiane Paul, Branka Katic, Idil Uner, Mehmet Kurtulus, Jochen Nickel, Briol Unel, Sandra Borgmann

Saturday, January 24, 2015

WETLANDS (2014)




Directed By: David Wnendt 
Written By: Claus Faulkenberg & David Wnendt, Sabine Pochhammer 
 Based on the Book By: Charlotte Roche 
Cinematography By: Jakub Bejnarowicz 
Editor: Andreas Wodraschke 


Cast: Carla Juni, Christoph Letkowski, Marlen Kruse, Meret Becker, Axel Milberg, Peri Baumeister