Showing posts with label Ari Wegner. Show all posts
Showing posts with label Ari Wegner. Show all posts

Saturday, December 6, 2025

HONEY DON’T (2025)

 


Directed By: Ethan Coen 

Written By: Ethan Coen & Tricia Cooke

Cinematography: Ari Wegner 

Editor: Tricia Cooke and Emily Denker 


Cast: Margaret Qualley, Chris Evans, Aubrey Plaza, Charlie Day, Lera Abova, Billy Eichner, Talia Ryder, Kristin Connolly, Jacnier


A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.


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When it comes to this film’s plot. One can understand like their last collaboration DRIVE AWAY DOLLS. Writer Directors Ethan Coen and Tricia Cooke. Like to have multiple narratives going on all at once that run parallel to each other even if just in theme and eventually run into or connect at certain points. That seems like it will be the big payoff. Here the themes are there but everything feels like a near miss. 


Feels a bit exploitive as it seems more interested in showing a lesbian sexual relationship than anything else. Rather then story or plot and put it in there haphazardly so that it feels random 


Even though it might be that the main Character is interesting and this has bits and pieces especially with the characters.  that could have been more of a small town mystery but plays more sporadically and you wonder where it is going and how it will all tie together that you feel like you are floating through it all waiting for some kind of direction other then Suggestions 


Starring the director’s muse Margaret Qualley Whitney’s to play the most interesting character and gets the most range 


Of course the film has a heavy feminist feel which there is nothing wrong with but it seems to pile it on after awhile rather then necessarily subtle 


It has a supporting cast of recognizable names that are here but given very little to do except play small exaggerations and somewhat central to the plot but feel more like stunt casting to add more reverence to the rather thin material. As the characters seem interesting but are in search of a better story and meaning. As next to qualley the only actor who really makes the most of their screen time is Lena Abrova as the mysterious cheer 


Wonder if this is a way for the filmmakers to add sex and sexuality back into films that seems to be lost or unused in modern cinema but truly it isn’t erotic but more sloppy and matter of fsct


There is now doubt that Ethan Coen can do quirky and can do the same with characters, but there needs to be some kind of meaning and consideration for the audience. As this film while silly and quirky does come out feeling self indulgent and like only the filmmakers are the only ones. It only entertained but also seem to care 


As this film feels more like a lark, more like an extended episode rather then truly a whole film 


By the time we get to the entrance walls revealed it seems rather random or much ado about  it nothing and all just coincidence and interlocked and it plays more comedic then it should more like a from a John waters film 


The film has its moments but doesn’t add up to making the film feel worth it. 


Grade: C-

Thursday, November 14, 2024

IN FABRIC (2018)

 


Written & Directed By: Peter Strickland 

Cinematography: Ari Wegner 

Editor: Matyas Fekete


Cast: Sidse Babett Knudsen, Marianne Jean-Baptiste, Julian Barrett, Steve Oram, Richard Bremmer, Fatma Mohamed, Gwendoline Christie, Hayley Squires, Jaygann Ayeh 

In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.

Saturday, September 21, 2024

DRIVE-AWAY DOLLS (2024)

 


Directed By: Ethan Coen

Written By: Ethan Coen And Tricia Cooke

Cinematography: Ari Wegner

Editor: Tricia Cooke


Cast: Margaret Qualley, Geraldine Viswanathan, Joey Slotnick, C.J. Wilson, Bill Camp, Beanie Fieldstein, Annie Gonzalez, Colman Domingo, Pedro Pascal, Matt Damon 


The film follows Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.


Saturday, April 27, 2024

EILEEN (2023)

 


Directed By: William Oldroyd

Written By: Luke Goebel and Ottessa Moshfegh

Based on the novel by: Ottessa Moshfegh

Cinematography: Ari Wegner

Editor: Nick Emerson 


Cast: Thomasin McKenzie, Anne Hathaway, Shea Whigham, Siobhan Fallon Hogan, Marin Ireland, Sam Nivola, Owen Teague, Brendan Burke 


The stagnant waters of Eileen's dull, stifled life as a solitary worker at a juvenile detention center in 1960s Boston, are unexpectedly disrupted when the institution brings in a new psychologist, the vibrant Rebecca. The fervent enthusiasm that blossoms between the two women almost immediately gives way to a closer relationship, until their fragile connection takes a dramatic turn.


Friday, February 11, 2022

ZOLA (2021)

 


Directed By: Janicza Bravo  Written By: Jeremy O. Harris  Based on the Tweets by: A’Ziah King  Based on the article “ZOLA TELLS ALL: THE REAL STORY BEHIND THE GREATEST STRIPPER SAGA EVER TWEETED” By: David Kushner  Story By: Andrew Neel & Mike Roberts Cinematography By: Ari Wegner  Editor: Joi McMillon 


Cast: Taylour Paige, Riley Keough, Coleman Domingo  Nicholas Braun, Jason Mitchell, TS Madison, Sophie Hall

A stripper named Zola embarks on a wild road trip to Florida. Based on a true story and tweeted on Twitter.

Friday, November 13, 2020

LADY MACBETH (2016)



Directed by: William Oldroyd Written By: Alice Birch Based on the book “ LADY MACBETH OF MTSENSK” by Nikolai Leskov  Cinematography: Ari Wegner Editor: Nick Emerson


Cast: Florence Pugh, Cosmo Jarvis, Paul Hilton, Naomi Ackie, Christopher Fairbank, Golda Roseuval, Anton Palmer, Bill Fellows 

Rural England, 1865. Katherine is stifled by her loveless marriage to a bitter man twice her age, whose family are cold and unforgiving. When she embarks on a passionate affair with a young worker on her husband's estate, a force is unleashed inside her, so powerful that she will stop at nothing to get what she wants.