SUNTAN (2016)

 

Directed By: Argyris Papadimitropoulos 

Written By: Argyris Papadimitropoulos and Syllas Tzoumerkas

Cinematography: Hristos Karamanis

Editor: Napoleon Stratogiannakis

Cast: Makis Papadimitriou, Elli Tringou, Dimi Hart, Marcus Collen, Giannis Tsortekis, Pavlos Orkopoulos, Yannis Economidas, Milou Vancroesen, Hera Katseeli 

Kostis is a 40-year-old doctor that finds himself in the small island of Antiparos, in order to take over the local clinic. His whole life and routine will turn upside down and fall apart when he meets an international group of young and beautiful tourists and he falls in love with Anna, a 19-year-old goddess.

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This film is truly disturbing. This is one of those films you watch and observe  rather than watch for entertainment. As this starts off simple and then becomes a nightmare.

As it seems to be almost a middle aged fantasy that takes a wrong turn. Simply as the character takes it too far and instead of being loose and treating it as flirtation. He expects real results and lifetime commitment. Even as he should know better.

It can look like the you get characters are evil, but while annoying they are more innocent. As they Don’t know their own strength and whip at times taking advantage of the main character. They Don’t know that they are building a monster or playing with a bear so to speak.

As they take advantage of his vulnerability at first.

On one level it be can see hey he falls or is seduced by the 21 year old Anna who is gorgeous and practically a goddess to him actually is willing to show him attention. Who treats him nicer then any of her friends, but it soon becomes evident he is more only being nice to them to get closer to her. She even gives him a chance and he blows it a bit and treats it too nonchalant for him. That is when he b owns territorial 

Though we see him as lonely and the island he works for doesn’t offer many singles of any age. Though in the summer season there are mroe age appropriate women for him to pursue. He becomes obsessed with the one. Even as he manages to get with someone else physically. He fixates on Anna 

The film seems to set out to make the audience uncomfortable. As it increasingly becomes more cringe worthy, awkward and volatile as to goes along. Especially in the second half. 

Everytime you think you know what’s going to happen. The film throws a realistic twist. At first everything seems a bit awkward more because he is a shy introvert. So the first half of the film you feel a bit embarrassed for the main character.

Then the second half becomes a full psychological thriller horror film for him. A she breaks down and seems to become an alcoholic and lose touch with his responsibilities and sanity.

At first you have some sympathy for him, but soon he bypasses all of that. Not even listening when others warn him. Like the townfolk.

Now the kids aren’t innocent, but Don’t deserve their fates. As after all they are young and Don’t necessarily know any better nor the power they have over him. As it seems they were using him. But also maybe Had some kind of feelings for him no, never any loyalty.

As One can admit. You can see why he becomes obsessed with the young lady, but also he should know better and practice better judgement. As even when he gets his chance his fantasy he blows it. So to speak, though that seems to be the point of momentum as he has gotten a taste and wants more chances to partake like an addict.

Though obviously he takes it too far

You have hope, but a single action ruins, everything, and in the middle of his downfall he doesn’t quite realize it’s happening to him.

The film has the character start out innocently and then ruining everything Essentially for a fling with a Tourist, and turning his back on the town people, he knows, and is surrounded by an actually support him. That is the depth of his loneliness. We do get hints of a dark past. When he runs into an old colleague. which should be a kind of warning that he has serious issues that are not being talked about or shown, but he still should know better.

The last scenes are especially disturbing where he finally seems to remeber who he is.

Hated the ending. Though it seems to bring him back to reality of what his oath is supposed to be, helping people and trying to heal their wounds. 

The film becomes a character study as the nice guy character who he should be rooting for, becomes the villain of the film, which makes it all the more shocking and scary.

The title of the film can be taken as a metaphor since they are on a tropical island in the summer or you go to the beach you wanna get a nice tan, but you have to be careful when it comes to tanning to little no one sees any difference too much end up getting burned. So you have to find that right balance in between and unfortunately for the main character, he doesn’t maintain that balance

This is definitely a conversation starter and a film her to dissect and talk about with others but it’s also a cruel movie and what some might call. A feel bad film.

Grade: B+

BREAKING GLASS (1980)

 

Written & Directed By: Brian Gibson 

Cinematography: Stephen Goldblatt 

Editor: Michael Bradsell

Cast: Hazel O’Connor, Phil Daniels, Jon Finch, Jonathan Pryce, Peter-Hugo Daly, Mark Wingett, Nigel Humphreys, Gary Tibbs, Charles Wegner 

A rock singer is determined to rise to the top of the profession, letting nothing stand in the way of that goal.

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Don’t know how I never heard of this film before recently. As for me, this is an instant classic. The storyline resembles a star is born and even the rose no, it’s different elements, one would say more of THE ROSE, for its lead character kind of achieving theme and going a bit crazy because of it.

What makes this film so different is that it was found during the upheaval in England, so it makes it a time capsule as to the politics, and what was going on in the streets at the time, even if Over the storyline.

The other quality, and that puts it in a herd of other films of its elk is that it doesn’t really feel like there’s too much acting in this room. It almost feels like a documentary, or Lisa docudrama, as everyone is so believable and committed in their performance that it never feels fake. 

It’s one of those dark 1980s movie about the music industry and how you start out, Ernest and all the little compromise. You have to make to achieve popularity and fame while still trying to stay true to yourself and as creative as you once were but also how it’s not only changes you, but it changes the people around you.

As there is a love story of source of her falling for her manager, who believes in her and comes with her to the Fame, but he becomes too controlling, and once he’s lost control of everything, he’d rather quit, then compromise, whereas the female lead falls for more the polished producer who see something in her, but it might be more for his a claim in again to be in control over her

So the film presents an interesting conundrum, where neither of these so-called love interests or people who are supposed to care about her have really her best interest at heart they’re more interested in controlling her and the film seems like she needs that has her energy is all over the place but when she’s being controlled, at least she has direction.

As much as I enjoyed this film, I found out that I saw the American version which is a slightly different cut, whereas in the original version it shows more of her mental breakdown along the way, and in the end, spoiler alert, she ends up in an asylum here the film ends with her, giving her all during a performance in the film ends anonymously, where we don’t know what’s going to happen, or what’s next it just ends.

The songs are catchy and well written, and Hazel O’connor gives an absolute stunning performance in each, and every time she performs in the musical scenes songs in which she wrote. They are just so stellar in iconic that it’s a shock. This film didn’t do more business or is it more popular, even in cult film circles?

As it is a once in a lifetime performance, she appeared and other films and television, but nothing as strong or as big as her starring role here in which you audition, for it was chosen over 3000 others and never expected to have the League she would’ve been happy with just a smaller or supporting role in here. She ended up the lead and she gives her all dressed as a character does.

One believes that once this film is seen by more people, she will enter the lexicon of memorable, female singers in movies wAHO become disillusioned or become legends and inspirations, such as the characters in the films TIMES SQUARE played by Robin Johnson and LADIES AND GENTLEMEN THE FABULOUS STAINS played by Diane Lane and STARSTRUCK 

As with any older films, it’s fun to see certain known character actors of today play smaller, supporting roles in this film, though luckily, it doesn’t take you out of the phone, and still stays as gritty and hard hitting. Truly nihilistic to a certain degree. Though it gives off so much energy that you can’t help but have a reaction to it. It’s a musical about a band trying to make it in the 1980’s 

Surprised to find out Brian Gibson Directed this who directed musical biographies such as WHAT’S LOVE GOT TO DO WITH IT, THE JOSEPHINE BAKER STORY as well as the music comedy STILL CRAZY (My first known Bill Nighy film appearance) as well as the thriller THE JUROR. So while his other films were more well known. His best film is the one that seems to be the least known. 

Grace: B+

ETERNAL BEAUTY (2019)

 

Written & Directed By: Craig Roberts 

Cinematography: Kit Fraser 

Editor: Stephen Haren 

Cast: Sally Hawkins, David Thewlis, Billie Piper, Alice Lowe, Myfford Clark, Rita Bernard-Shaw, Robert Pugh, Paul Hilton, Penelope Wilton

This movie follows Jane who, after being left at the altar, had a breakdown spiraled into a chaotic episode of schizophrenia lasting 20 years, in which love (both real and imagined) and family relationships collide. Things change when she begins a darkly-comic romance with Mike, a failed musician and fellow lost soul.

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Though it got no major release. Sally Hawkins's performance in ETERNAL BEAUTY is amazing. Better & bigger than the movie, but the movie is what she needed to truly show her talents and as a showcase. Give the movie a chance. A deep look at mental illness.

The film isn’t bad but it feels like the runway for her character and performance to launch off. It works as a kind of case study file but where we get to see the outside influences that have helped to contribute to her mental illnesses. 

Not that Ms. Hawkins hasn't Had plenty of great roles and performances since seemingly being introduced with the film HAPPY GO LUCKY. Thougbbshe had been in plenty of movies, television and theatrical productions prior. That film seemed to be her breakout role 

The film takes a Look at her paranoid schizophrenic character with a horrible family who only seems to inspire her condition to make it worse with their indifference or Using her  Where only one Family Member truly seems concerned but that character is influenced more by the rest of the family. To look the other way. Which also causes problems within her marriage. 

The first half plays out like a tragedy and the second act is more of a romance where the colors get richer and the style of the film becomes a little more surrealistic. It also becomes a bit happier though still downtrodden but hopeful 

It helps if the material is strong enough for them to base a performance on mention as they get older more is expected of them or a certain legacy is on them, and it is hard to live up to especially when you were just trying to do the work and work and more and more you’re not getting the roles you used to and the writing isn’t as strong. 

As the film goes along we learn that each of her family members has their drama  And dysfunctions as the film doesn’t  Seek to villainize any characters but shows them as human beings fallible 

The film is Advertised more as a romantic comedy between two people with mental illnesses it is deeper than that as it was kind of bait to hook More mainstream tastes seem more conventional for audiences. 

Grade: B

BAD ASS (2012)

 

Directed By: Craig Moss

Written By: Craig Moss and Elliot Tishman

Cinematography: John Barry

Editor: Jim Flynn 

Cast: Danny Trejo, Harrison Page, Patrick Fabian, Ron Perlman, Charles S. Dutton, Joyful Drake, Chris Spencer, Craig Sheffer, Richard Riehle, Winter Ave Zoli

A Vietnam veteran who becomes a local hero after saving a man from attackers on a city bus decides to take action when his best friend is murdered and the police show little interest in solving the crime.

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will be the first to admit this film and it’s sequels for the most part are guilty pleasures there bee movies, but they have a lot of heart and truly seem to want to give the audience entertainment as they respect them.

this film is a fun takeoff of the viral video of an elderly senior citizen, who gets tired of a bunch of young punks, harassing others and ends up in self-defense beating them up 

How this film begins truly showing the origins of the lead character and shows us his strength and attitude as well as getting a community behind him

So that when the main storyline starts, we already know what he is capable of as he tries to figure out an avenge the murder of his best friend in the investigation taps into a conspiracy 

This film rely heavily on comedy but definitely has plenty of action in a while not the greatest of Scripps or believability or direction. This film does have its charms and it seems to have a lot of heart, especially in the right place and wants to please fans not only the genre, but the type of film that it is. 

As this is the type that would definitely go straight to home video back in the day now it would be straight to streaming and plays off like a bee movie with big names to get funding and have an audience and least this film earnest and provides the chance to play a leading role Which passes amicably

Again the film has a recognizable supporting cast who seemed to be here more in cameos, but by the end, you just can’t help, but like the film, despite its weaknesses as it’s just a fun movie, even when it takes itself serious, it manages to be entertaining and fun.

As long as you go in knowing it’s a no-brainer and just seeking entertainment and fun I think you’ll enjoy this film that surprises you a bit with it’s resourcefulness and lives up to its title kind of vigilante revenge film. While also filling in the boxes of an action film, even having a light romance by the end.

Essentially gaining all the things that he always wanted, but was never granted.

Grade: C+

BAD ASS 2: BAD ASSES (2014)

 

Written & Directed By: Craig Moss

Cinematography: Paul Marschall 

Editor: Clark Burnett 

Cast: Danny Trejo, Danny Glover, Patrick Fabian, Andrew Divoff, Ignacio Serricchio, Jaqueline Obradors, Jonathan Lipnicki, Sarah Dumont, Loni Love, Charlie Carver, Dante Basco

Frank Vega teams up with grumpy old agoraphobic Bernie Pope to kick ass and clean up the streets of L.A.

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Like most sequels this is pretty much more of the same only bigger and unfortunately batter in terms of quality as even though it seems to have taken its time this film feels rushed, and if the original was a revenge tale vigilante this one is the same now it’s also a comedy as bad ass has a partner who is slowly dying who seems to join him only for that reason.

Similarly, these films when they have sequels also get a bit dumber so this one is a little more flashier than the first film as expected definitely has more guns.

This one is definitely more comedic and has a slightly bigger budget as the villain poses more of a threat, and uses kind of the same excuse to get away with his crimes as in lethal weapon to the infamous diplomatic immunity clause 

As in the first film, he fought against a corrupt government in street gang now bad ass find himself going up against pretty much a whole cartel and it’s leader who is a international politician again police or any authorities hands are tied so it’s up to him and his partner this time played by Danny Glover 

Who is a ladies man which leads to some hilarious scenes as again this film seems more camping played for laughs than the first time. It’s still a fun ride, but it definitely starts to stretch the plausibility faster like most seems to partially throw away the events of part one to a certain extent , so that it fits more into a different narrative that allows for again him losing someone close who was like a son and setting up a side romance story for him

The villains are still over the top and ridiculous though a little higher echelon as far as the budget is concerned with Andrew Divoff  playing the villain who seems like a more polished version of the same villain he played in A LOW DOWN DIRTY SHAME.

One of the aspects of these films that I think has audiences keep coming back is seeing more of an adult action hero, who isn’t necessarily invincible, but for the films purpose seems near invincible and using their smart and experience to win and figure things out as well as being budgeted so there’s no Too much over the top action sequences that make no sense and the film firmly planted tongue in cheek

As well as the lead characters really have nothing to lose, which is why they seem to be going out and willing to risk it. All it is a bee movie franchise is that is worth watching and checking in with each gets more ridiculous because there is another sequel to this film.

It’s nice to see characters who are used to playing supporting roles kind of get their day in the sun to play more leads and carrying over from the first film. It seems like this film also has an unnecessary. at least one unnecessary. 

That house these films is that the actors seem to at least be having fun which is infectious for the audience because they intern feel like the film is fun

If you are a fan of the first film. You should enjoy the sequel.

Grade: C